Second-novelist Jaffe (Dance Real Slow, 1996) portrays the tensions and rhythms of domestic life as experienced by the three children of two broad-minded parents. Sherwood Anderson notwithstanding, small-town life in Ohio is not usually considered great literary material, but this only shows the limits of conventional wisdom. The straight-laced, semi-backwoods town that Kendall Boone and his wife Mercer move into is perfectly capable of high drama under the right circumstances—and this time the circumstances turn out to be provided by Kendall and Mercer themselves. Kendall is an artist who teaches at a local community college and spends days on end working in solitude in his studio; Mercer is a gynecologist who sometimes performs abortions at a nearby clinic. Their children—Clem, Garrett, and Samantha—enroll in the local schools and manage to fit in reasonably well on their own, but they find themselves in some ways victims of their parents” anomalies. Kendall is not much like the other Dads in town, and as for the Moms—well, most of them are more likely to picket abortion clinics than work in them. The Boone family’s oddball status picks up when Kendall begins to wander the streets blowing an aerosol horn at strangers and calling himself “Sonic Boone.” Then, of course, Mercer starts getting anonymous death threats and begins to find “Wanted” posters with her photograph taped to lampposts and mailboxes. Eventually, Kendall has to be sent away for medical treatment, and Mercer’s clinic requires police protection. Meanwhile, the children are still trying to live through their normal obsessions with hockey, schoolwork, and the opposite sex. But when a real bomb goes off, adolescence loses whatever innocence it still possessed, and they’re thrust into the adult world of evil and grief. Deliberate prose and a leaden plot, both detract from Jaffe’s obvious talent and sink his story in a mire of self-conscious nostalgia.
Pub Date: Oct. 1, 1999
ISBN: 0-374-26571-2
Page Count: 288
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1999
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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