by Michael Ian Black ‧ RELEASE DATE: Jan. 5, 2016
A slight, breezy memoir that delves into serious subjects.
A dying mother puts a middle-aged humorist more in touch with his own mortality.
Title aside, this memoir mentions Black’s navel hardly at all. The author obsesses more on the feet and toes that have embarrassed him longer than other appendages and on his “flaccid penis, hanging down like an aardvark snout.” Meditations on the author’s body generally alternate with reports on his failing mother and her various operations, including a “bellybuttonectomy” that left her without a navel on which to gaze. Much of the material here could be dark, even grim, but Black sustains a light touch throughout, projecting a warmth that extends from his relationship with his mother through his family life with wife and children. On the one hand, he recognizes that “every body inevitably fails….They are the very definition of planned obsolescence.” On the other hand, though he admits that the darker truths of existence have led him to contemplate suicide, he maintains, “I don’t ever plan on killing myself. For that matter, I don’t ever plan on dying. But I also know that circumstances change, people change, minds change.” Death (even suicide) permeates this book, yet it is the kind of book that some folks buy others to put the aging process in perspective, to have a laugh or two at it, to keep from taking oneself and one’s fate too seriously. So there are plenty of episodes that find the hapless author trying to combat aging by joining a gym or training for a distance race, and there are a few interludes that have nothing to do with aging at all but which didn’t fit in his other books (he terms this a follow-up to You’re Not Doing It Right, 2012) and omits material (such as that concerning his dad) that might have worked fine here but which he’d previously written about.
A slight, breezy memoir that delves into serious subjects.Pub Date: Jan. 5, 2016
ISBN: 978-1-4767-4882-5
Page Count: 208
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Oct. 3, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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by Michael Ian Black ; illustrated by Debbie Ridpath Ohi
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by Oliver Sacks ‧ RELEASE DATE: Nov. 24, 2015
If that promise of clarity is what awaits us all, then death doesn’t seem so awful, and that is a great gift from Sacks. A...
Valediction from the late neurologist and writer Sacks (On the Move: A Life, 2015, etc.).
In this set of four short essays, much-forwarded opinion pieces from the New York Times, the author ponders illness, specifically the metastatic cancer that spread from eye to liver and in doing so foreclosed any possibility of treatment. His brief reflections on that unfortunate development give way to, yes, gratitude as he examines the good things that he has experienced over what, in the end, turned out to be a rather long life after all, lasting 82 years. To be sure, Sacks has regrets about leaving the world, not least of them not being around to see “a thousand…breakthroughs in the physical and biological sciences,” as well as the night sky sprinkled with stars and the yellow legal pads on which he worked sprinkled with words. Sacks works a few familiar tropes and elaborates others. Charmingly, he reflects on his habit since childhood of associating each year of his life with the element of corresponding atomic weight on the periodic table; given polonium’s “intense, murderous radioactivity,” then perhaps 84 isn’t all that it’s cut out to be. There are some glaring repetitions here, unfortunate given the intense brevity of this book, such as his twice citing Nathaniel Hawthorne’s call to revel in “intercourse with the world”—no, not that kind. Yet his thoughts overall—while not as soul-stirringly inspirational as the similar reflections of Randy Pausch or as bent on chasing down the story as Christopher Hitchens’ last book—are shaped into an austere beauty, as when Sacks writes of being able in his final moments to “see my life as from a great altitude, as a sort of landscape, and with a deepening sense of the connection of all its parts.”
If that promise of clarity is what awaits us all, then death doesn’t seem so awful, and that is a great gift from Sacks. A fitting, lovely farewell.Pub Date: Nov. 24, 2015
ISBN: 978-0-451-49293-7
Page Count: 64
Publisher: Knopf
Review Posted Online: Oct. 31, 2015
Kirkus Reviews Issue: Nov. 15, 2015
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by Oliver Sacks ; edited by Kate Edgar
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by Glennon Doyle ‧ RELEASE DATE: March 10, 2020
Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.
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More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.
In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.
Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.Pub Date: March 10, 2020
ISBN: 978-1-9848-0125-8
Page Count: 352
Publisher: Dial Books
Review Posted Online: Dec. 21, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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