UNDONE

Supercharged fallout from a con man's ingenious plot to fake his own death and take off with the loot he's socked away—a stash that attracts other get-rich-quick types like sharks sniffing blood. Since he's always known when the bank officer he rolled over on for making him a shady $2 million loan will get out of jail and come looking for him, Bobby Swift's had a long time to make his plans. He's transferred the money safely offshore, practiced shallow breathing, and planted stories about his father dying of heart failure. Now, with the help of a benighted local physician and a corruptible undertaker, he's ready to play dead on Blueberry Blossom Night. The plan calls for him to suffer a heart attack in his exercise room, lie in an open casket in Eliot Wicker's funeral home, and get buried with enough compressed oxygen for five hours before his trusted wife Noel digs him up. But Bobby doesn't reckon with Noel's siren charms, which work like a machine gun set on full automatic, and soon half of Gravity, Maine, is in the picture, all with their own agendas. Wicker, with one eye on Noel and the other on the money, ends up taking Bobby's place in his coffin. Bobby's friend Sal Erickson, tumbling off the wagon, becomes convinced that he's somehow been involved in digging up Bobby's corpse and killing Wicker. Sal's wife Iris throws him out of the house and into the tireless arms of Noel. Iris's brother Jerry, not content with the misery he's already made of Iris's life, decides to blackmail Noel with what he knows about Bobby's death and plunges his worthless self and his relatives into more trouble than he can imagine. The core of the story is the old, old one of a decent man stretched to his limits between two women, but Kimball (Firewater Pond, 1985) plots far more generously than any noir writer. The result is an edgy delight, with something for everyone but the luckless cross-plotters.

Pub Date: Oct. 1, 1996

ISBN: 0-380-97305-7

Page Count: 352

Publisher: Avon/HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 1, 1996

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.

THE RESCUE

High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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