Supercharged fallout from a con man's ingenious plot to fake his own death and take off with the loot he's socked away—a stash that attracts other get-rich-quick types like sharks sniffing blood. Since he's always known when the bank officer he rolled over on for making him a shady $2 million loan will get out of jail and come looking for him, Bobby Swift's had a long time to make his plans. He's transferred the money safely offshore, practiced shallow breathing, and planted stories about his father dying of heart failure. Now, with the help of a benighted local physician and a corruptible undertaker, he's ready to play dead on Blueberry Blossom Night. The plan calls for him to suffer a heart attack in his exercise room, lie in an open casket in Eliot Wicker's funeral home, and get buried with enough compressed oxygen for five hours before his trusted wife Noel digs him up. But Bobby doesn't reckon with Noel's siren charms, which work like a machine gun set on full automatic, and soon half of Gravity, Maine, is in the picture, all with their own agendas. Wicker, with one eye on Noel and the other on the money, ends up taking Bobby's place in his coffin. Bobby's friend Sal Erickson, tumbling off the wagon, becomes convinced that he's somehow been involved in digging up Bobby's corpse and killing Wicker. Sal's wife Iris throws him out of the house and into the tireless arms of Noel. Iris's brother Jerry, not content with the misery he's already made of Iris's life, decides to blackmail Noel with what he knows about Bobby's death and plunges his worthless self and his relatives into more trouble than he can imagine. The core of the story is the old, old one of a decent man stretched to his limits between two women, but Kimball (Firewater Pond, 1985) plots far more generously than any noir writer. The result is an edgy delight, with something for everyone but the luckless cross-plotters.

Pub Date: Oct. 1, 1996

ISBN: 0-380-97305-7

Page Count: 352

Publisher: Avon/HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 1, 1996

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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