by Michael Korda ‧ RELEASE DATE: Nov. 16, 2010
Though occasionally fawning, an accessible, textured story of one man who intimately knew the slings and arrows of...
Book-publishing veteran and prolific historian Korda (With Wings Like Eagles: The Untold Story of the Battle of Britain, 2009, etc.) offers a comprehensive, admiring treatment of one of England’s most popular if controversial military celebrities, T.E. Lawrence (1888–1935).
The author does not restrain his enthusiasm for, and even awe of, his subject. He calls Lawrence’s Seven Pillars of Wisdom (1927) “one of the great pieces of modern writing about war” and compares him with a dizzying range of characters, from Odysseus to Princess Diana. At first, Korda uses Joseph Campbell’s work of comparative mythology, Hero with a Thousand Faces (1949), to provide a framework, then, mercifully, abandons it. The author begins during World War I with the involvement of the diminutive young Lawrence, still in his 20s, already fluent in Arabic and other languages and already an authority on the Middle East. Korda describes military and political maneuvers and then retreats to narrate Lawrence’s complicated birth (his parents were not married), boyhood, education and young manhood. Throughout, the author emphasizes Lawrence’s deeply troubled relationship with his mother, but he also underscores his ferocious work habits, enormously high pain threshold (captured by the enemy, he endured severe beatings and rape) and unique combination of modesty (he refused honors) and pride (he wrote many letters to newspapers and cultivated friendships with George Bernard Shaw, Lady Astor, Thomas Hardy and others). Lawrence’s military and political successes in the Middle East are undeniable, but his postwar life was a disturbing mixture of depression, enormous celebrity, a deep ambivalence about routine military life (he was in and out of the RAF) and sexual confusions. A motorcycle accident killed him at age 46.
Though occasionally fawning, an accessible, textured story of one man who intimately knew the slings and arrows of outrageous fortune.Pub Date: Nov. 16, 2010
ISBN: 978-0-06-171261-6
Page Count: 768
Publisher: Harper/HarperCollins
Review Posted Online: July 20, 2010
Kirkus Reviews Issue: Aug. 15, 2010
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by Robert Greene ‧ RELEASE DATE: Sept. 1, 1998
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
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BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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