Sweeping love story of Marilyn Monroe's long-standing affairs with Senator, then President, Kennedy and brother Bobby. That Marilyn and JFK might someday be worthy of the high treatment given by Wild Bill Shakespeare to Antony and Cleopatra remains a teaser for playwrights and novelists. But in his latest (already slated for filming as well as heavy marketing), Korda- -Queenie, Curtain, etc.—sets his sights much lower than great tragedy and gives us a work of strong intelligence and ravishing vulgarity. Almost no event in it is unfamiliar, though its great garden of sex-play springs largely from imagination. Many readers will be dismayed by Korda's pillow talk among the gods, sex chat given a saltiness that may fit the actual MM & JFK but that looks cheap on paper. The story: MM, married to DiMaggio, meets Senator Kennedy at a Beverly Hills party; he gives her his card; they rendezvous. Marilyn is bored by her husbands and treats adultery like a midnight plum duff. She loves Jack, Jack loves MM. He has an arrangement with Jackie that his satyriasis need not be contained but must remain discreet; MM's being the most famous woman in the world, however, crimps JFK's ties with jealous Jackie, who finds out about the ongoing affair. Meanwhile, RFK attacks the Teamsters hierarchy, Dave Beck and Jimmy Hoffa, and Jimmy in turn bugs Peter Lawford's love-tryst bungalow, various hotel rooms, and MM's phone and bedroom, all of which are already bugged by J.Edgar Hoover's FBI team. Once JFK is president, he withdraws from MM. RFK becomes her lover, gets her with child. MM's meds take their toll, she becomes ever more erratic, puts unbearable strain on the Brothers K when she announces a tell-all press conference.... About midway, when the freshness of the lovers wanes and a certain sourness overtakes them, the story darkens and the mechanics of the many- leveled plot deflates the reader's gusto, though not Korda's. Many brilliant scenes, but not as artful or haunting as Sam Toperoff's 1991 MM novel, Queen of Desire. (Literary Guild Dual Selection for November)
Pub Date: Sept. 1, 1992
ISBN: 0-671-74526-3
Page Count: 560
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1992
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
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