Few surprises on the road to rapprochement, but the belles’s barbed commentary never fails to entertain.
Southern belles hell-bent on belated truth-telling in West’s latest wacky outing (Mad Girls in Love, 2005, etc.).
After a six-month saltwater-taffy binge on North Carolina’s outer banks, Renata, a screenwriter, is shopping for a cashmere sweater to send to her sweetie, Ferg, a director who’s on location in Dublin shooting the “remake” of James Joyce’s Ulysses. She spots a tabloid depicting Ferg in a pub in the clutches of “man-eating actress” Esmé Vasquez, who plays Molly Bloom. After the shopkeeper inflicts an impromptu mullet on Renata, she flees to Alabama, into the sheltering arms of her paternal grandmother, Honora, who’s hosting an engagement party for Louie, Renata’s daddy. When, after a few too many flutes of champagne, Renata confronts Louie’s fiancée, squeaky-voiced Joie, in Honora’s attached garage, Joie rips off Renata’s pearls. Later, Joie is found comatose in the garden pond, and a few loose pearls in drops of blood on the garage floor point to Renata as the suspect. Still above suspicion is Honora’s friend Isabella, a former Hollywood actress who’s inserted Lord knows how many valiums in the chocolate-covered strawberries Joie was last seen gorging on. Isabella thinks it’s high time someone told Renata about the secrets harbored by her mother, Shelby, who, long divorced from controlling cardiologist Louie, has recently perished in a plane crash with her longtime second husband, a movie producer. Family retainer Gladys, Isabella and Honora alternate revelations. In 1972, Shelby had an affair with studly hairdresser Kip. Shelby’s father was accidentally shot while quail hunting with Kip and Louie. After Shelby almost drowned while cavorting with Kip, she and Louie reached a turbulent truce. Isabella’s affair with Louie and her compulsion to lace comestibles with pharmaceuticals caused her husband’s not-so-accidental death. More brutal unveilings follow, until Renata achieves a rueful understanding of her father’s and lover’s motives.
Few surprises on the road to rapprochement, but the belles’s barbed commentary never fails to entertain.Pub Date: Jan. 8, 2008
ISBN: 978-0-06-018405-6
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2007
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Honeyman’s endearing debut is part comic novel, part emotional thriller, and part love story.
A very funny novel about the survivor of a childhood trauma.
At 29, Eleanor Oliphant has built an utterly solitary life that almost works. During the week, she toils in an office—don’t inquire further; in almost eight years no one has—and from Friday to Monday she makes the time go by with pizza and booze. Enlivening this spare existence is a constant inner monologue that is cranky, hilarious, deadpan, and irresistible. Eleanor Oliphant has something to say about everything. Riding the train, she comments on the automated announcements: “I wondered at whom these pearls of wisdom were aimed; some passing extraterrestrial, perhaps, or a yak herder from Ulan Bator who had trekked across the steppes, sailed the North Sea, and found himself on the Glasgow-Edinburgh service with literally no prior experience of mechanized transport to call upon.” Eleanor herself might as well be from Ulan Bator—she’s never had a manicure or a haircut, worn high heels, had anyone visit her apartment, or even had a friend. After a mysterious event in her childhood that left half her face badly scarred, she was raised in foster care, spent her college years in an abusive relationship, and is now, as the title states, perfectly fine. Her extreme social awkwardness has made her the butt of nasty jokes among her colleagues, which don’t seem to bother her much, though one notices she is stockpiling painkillers and becoming increasingly obsessed with an unrealistic crush on a local musician. Eleanor’s life begins to change when Raymond, a goofy guy from the IT department, takes her for a potential friend, not a freak of nature. As if he were luring a feral animal from its hiding place with a bit of cheese, he gradually brings Eleanor out of her shell. Then it turns out that shell was serving a purpose.
Honeyman’s endearing debut is part comic novel, part emotional thriller, and part love story.Pub Date: May 9, 2017
ISBN: 978-0-7352-2068-3
Page Count: 336
Publisher: Pamela Dorman/Viking
Review Posted Online: Jan. 22, 2017
Kirkus Reviews Issue: Feb. 1, 2017
BOOK TO SCREEN
Short, to the point, and absolutely unremarkable: sure to be another medium-hot romance-lite hit for Sparks, who at the very...
A mother unburdens a story of past romance to her troubled daughter for no good reason.
Adrienne Willis is a middle-aged mother with three kids who, not surprisingly, finds herself in an emotional lurch after her husband dumps her for a younger, prettier thing. Needing to recharge her batteries, Adrienne takes a holiday, watching over her friend’s small bed-and-breakfast in the North Carolina beach town of Rodanthe. Then Dr. Paul Flanner appears, himself a cold fish in need of a little warming up. This is the scene laid out by Adrienne to her daughter, Amanda, in a framing device of unusual crudity from Sparks (A Bend in the Road, 2001, etc.). Amanda’s husband has recently died and she hasn’t quite gotten around to figuring out how to keep on living. Imagining that nothing is better for a broken heart than somebody else’s sad story, Adrienne tells her daughter about the great lost love of her life. Paul came to Rodanthe in order to speak with the bereaved family of a woman who had just died after he had operated on her. Paul, of course, was not to blame, but still he suffers inside. Add to that a recent divorce and an estranged child and the result is a tortured soul whom Adrienne finds absolutely irresistible. Of course, the beach, an impending storm, the fact that there are no other visitors around, a roaring fireplace, and any number of moments that could have been culled from a J. Crew catalogue and a Folgers’s commercial make romance just about inevitable. Sparks couldn’t be less subtle in this harshly mechanical story that adheres to formula in a way that would make an assembly-line romance writer blush.
Short, to the point, and absolutely unremarkable: sure to be another medium-hot romance-lite hit for Sparks, who at the very least can never be accused of overstaying his welcome.Pub Date: Sept. 18, 2002
ISBN: 0-446-53133-2
Page Count: 224
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2002
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