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BLOODSHED

Every word rings true in this disturbing demonstration of how hard it is to stop a massacre even when you know it’s coming....

A stark look at one of the tragedies of our time: school shootings.

Potter County deputy sheriff Chip Jeffers, Potter High School resource officer Kim Miller, and guidance counselor LeAnn Dunne agree: Someone’s planning a school shooting. Notes found in the boys’ bathroom remind LeAnn of Columbine. In a pre-emptive attempt to stop trouble, they notify the faculty; Chip calls on prison chaplain/sheriff’s investigator/recovering alcoholic John Jordan (And the Sea Became Blood, 2019, etc.); and Kim and LeAnn compile lists of the students they think most likely to carry out such a horrible crime. The names include Tristan Ward and Denise Royal, arty goth types putting on a pretentious, badly written play, and snarky Mason Nickols and Dakota Emanuel, the only students to make both women's lists. John reasons that the attempt will take place on the day of the play, the anniversary of the Columbine massacre. After police officers and teachers search the building and find nothing, the play goes off as planned. That night, at a local bar, a couple of nonalcoholic beers give John the yen for something stronger, and he falls off the wagon. The next morning, explosions and gunshots rock Potter High, and John, arriving eight minutes into the attack, rushes to help Kim, who’s wounded and alone. In the smoke and confusion John and Kim are fired upon by a student who's only trying to help and whom John shoots and critically wounds. Even after an investigation clears John, he can’t forgive himself, and he continues to drink. Despite warnings by his boss and attacks by the press, he won’t give up his attempt to identify the masked killers.

Every word rings true in this disturbing demonstration of how hard it is to stop a massacre even when you know it’s coming. The aftermath is heartbreaking and the ending a real shocker.

Pub Date: June 10, 2019

ISBN: 978-1-947606-37-1

Page Count: 310

Publisher: Pulpwood Press

Review Posted Online: March 30, 2019

Kirkus Reviews Issue: April 15, 2019

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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