Mahin traces Muddy Waters’ path from his Mississippi Delta roots to legendary status as a Chicago blues giant.
McKinley Morganfield, raised by Grandma Della, is nicknamed Muddy for the Mississippi mud he plays in. Even more than church music, he loves the stuff “they didn’t play on Sundays”—Delta blues. Muddy soaks up such influences as slide guitarist Son House and plays what instruments he finds or makes. A fieldworker by day, he buys a guitar and plays juke joints at night. Mahin dramatizes Waters’ departure for Chicago as a last-straw disagreement with a field boss and uses a refrain—“But Muddy was never good at doing what he was told”—at seminal junctions. Waters responds to Chicago’s jazz-infused blues scene not by rejecting Delta blues, but by literally amplifying it: “Muddy plugged in, turned on, turned up, and out came the sound of the Delta, buzzing and mad like an angry hornet’s nest.” Turk’s breathtaking pictures fuse historical newspaper clippings, paint, printer’s ink, oil pastels, and china marker. His symbolic palette shifts from sun-seared, white-gold cotton, red earth, and undulating river-blue to Chicago’s urbane, neon-lit green, blue, and black. (Muddy retains his Delta-born, underpainted red contours throughout.) Motifs like the purple of Della’s dress repeat dynamically. A note on the copyright page states that both lyrics and dialogue are invented.
This poetic celebration of Muddy Waters’ musical truth is lifted still higher by Turk’s extraordinary art. (author’s note, suggested books and recordings) (Picture book. 6-10)Pub Date: Sept. 5, 2017
ISBN: 978-1-4814-4349-4
Page Count: 48
Publisher: Atheneum
Review Posted Online: June 14, 2017
Kirkus Reviews Issue: July 1, 2017
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BOOK REVIEW
BOOK REVIEW
An honestly told biography of an important politician whose name every American should know.
Published while the United States has its first African-American president, this story of John Roy Lynch, the first African-American speaker of the Mississippi House of Representatives, lays bare the long and arduous path black Americans have walked to obtain equality. The title’s first three words—“The Amazing Age”—emphasize how many more freedoms African-Americans had during Reconstruction than for decades afterward. Barton and Tate do not shy away from honest depictions of slavery, floggings, the Ku Klux Klan, Jim Crow laws, or the various means of intimidation that whites employed to prevent blacks from voting and living lives equal to those of whites. Like President Barack Obama, Lynch was of biracial descent; born to an enslaved mother and an Irish father, he did not know hard labor until his slave mistress asked him a question that he answered honestly. Freed by the Emancipation Proclamation, Lynch had a long and varied career that points to his resilience and perseverance. Tate’s bright watercolor illustrations often belie the harshness of what takes place within them; though this sometimes creates a visual conflict, it may also make the book more palatable for young readers unaware of the violence African-Americans have suffered than fully graphic images would. A historical note, timeline, author’s and illustrator’s notes, bibliography and map are appended.
A picture book worth reading about a historical figure worth remembering. (Picture book biography. 7-10)Pub Date: April 1, 2015
ISBN: 978-0-8028-5379-0
Page Count: 50
Publisher: Eerdmans
Review Posted Online: Feb. 3, 2015
Kirkus Reviews Issue: Feb. 15, 2015
Categories: CHILDREN'S BIOGRAPHY & MEMOIR
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Veteran picture-book creator Polacco tells another story from her childhood that celebrates the importance of staying true to one’s own interests and values.
After years of spending summers with her father and grandmother, narrator Trisha is excited to be spending the school year in Michigan with them. Unexpectedly abandoned by her summertime friends, Trisha quickly connects with fellow outsiders Thom and Ravanne, who may be familiar to readers from Polacco’s The Junkyard Wonders (2010). Throughout the school year, the three enjoy activities together and do their best to avoid school bully Billy. While a physical confrontation between Thom (aka “Sissy Boy”) and Billy does come, so does an opportunity for Thom to defy convention and share his talent with the community. Loosely sketched watercolor illustrations place the story in the middle of the last century, with somewhat old-fashioned clothing and an apparently all-White community. Trisha and her classmates appear to be what today would be called middle schoolers; a reference to something Trisha and her mom did when she was “only eight” suggests that several years have passed since that time. As usual, the lengthy first-person narrative is cozily conversational but includes some challenging vocabulary (textiles, lackeys, foretold). The author’s note provides a brief update about her friends’ careers and encourages readers to embrace their own differences. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at actual size.)
Deliberately inspirational and tinged with nostalgia, this will please fans but may strike others as overly idealistic. (Picture book. 7-10)Pub Date: Oct. 6, 2020
ISBN: 978-1-5344-2622-1
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: Aug. 18, 2020
Kirkus Reviews Issue: Sept. 1, 2020
Categories: CHILDREN'S ENTERTAINMENT & SPORTS | CHILDREN'S SOCIAL THEMES
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