This poetic celebration of Muddy Waters’ musical truth is lifted still higher by Turk’s extraordinary art.
Mahin traces Muddy Waters’ path from his Mississippi Delta roots to legendary status as a Chicago blues giant.
McKinley Morganfield, raised by Grandma Della, is nicknamed Muddy for the Mississippi mud he plays in. Even more than church music, he loves the stuff “they didn’t play on Sundays”—Delta blues. Muddy soaks up such influences as slide guitarist Son House and plays what instruments he finds or makes. A fieldworker by day, he buys a guitar and plays juke joints at night. Mahin dramatizes Waters’ departure for Chicago as a last-straw disagreement with a field boss and uses a refrain—“But Muddy was never good at doing what he was told”—at seminal junctions. Waters responds to Chicago’s jazz-infused blues scene not by rejecting Delta blues, but by literally amplifying it: “Muddy plugged in, turned on, turned up, and out came the sound of the Delta, buzzing and mad like an angry hornet’s nest.” Turk’s breathtaking pictures fuse historical newspaper clippings, paint, printer’s ink, oil pastels, and china marker. His symbolic palette shifts from sun-seared, white-gold cotton, red earth, and undulating river-blue to Chicago’s urbane, neon-lit green, blue, and black. (Muddy retains his Delta-born, underpainted red contours throughout.) Motifs like the purple of Della’s dress repeat dynamically. A note on the copyright page states that both lyrics and dialogue are invented.
This poetic celebration of Muddy Waters’ musical truth is lifted still higher by Turk’s extraordinary art. (author’s note, suggested books and recordings) (Picture book. 6-10)Pub Date: Sept. 5, 2017
ISBN: 978-1-4814-4349-4
Page Count: 48
Publisher: Atheneum
Review Posted Online: June 13, 2017
Kirkus Reviews Issue: July 1, 2017
BOOK REVIEW
BOOK REVIEW
A picture book worth reading about a historical figure worth remembering.
An honestly told biography of an important politician whose name every American should know.
Published while the United States has its first African-American president, this story of John Roy Lynch, the first African-American speaker of the Mississippi House of Representatives, lays bare the long and arduous path black Americans have walked to obtain equality. The title’s first three words—“The Amazing Age”—emphasize how many more freedoms African-Americans had during Reconstruction than for decades afterward. Barton and Tate do not shy away from honest depictions of slavery, floggings, the Ku Klux Klan, Jim Crow laws, or the various means of intimidation that whites employed to prevent blacks from voting and living lives equal to those of whites. Like President Barack Obama, Lynch was of biracial descent; born to an enslaved mother and an Irish father, he did not know hard labor until his slave mistress asked him a question that he answered honestly. Freed by the Emancipation Proclamation, Lynch had a long and varied career that points to his resilience and perseverance. Tate’s bright watercolor illustrations often belie the harshness of what takes place within them; though this sometimes creates a visual conflict, it may also make the book more palatable for young readers unaware of the violence African-Americans have suffered than fully graphic images would. A historical note, timeline, author’s and illustrator’s notes, bibliography and map are appended.
A picture book worth reading about a historical figure worth remembering. (Picture book biography. 7-10)Pub Date: April 1, 2015
ISBN: 978-0-8028-5379-0
Page Count: 50
Publisher: Eerdmans
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A welcome, well-researched reflection of cultural pride in the early-reader landscape.
The fourth installment in Delacre’s early-reader series centers on the rich musical traditions of Puerto Rico, once again featuring sibling tree frogs Rafi and Rosi Coquí.
Readers learn along with Rafi and Rosi as they explore bomba, plena, and salsa in three chapters. A glossary at the beginning sets readers up well to understand the Spanish vocabulary, including accurate phoneticization for non-Spanish speakers. The stories focus on Rafi and Rosi’s relationship within a musical context. For example, in one chapter Rafi finds out that he attracts a larger audience playing his homemade güiro with Rosi’s help even though he initially excluded her: “Big brothers only.” Even when he makes mistakes, as the older brother, Rafi consoles Rosi when she is embarrassed or angry at him. In each instance, their shared joy for music and dance ultimately shines through any upsets—a valuable reflection of unity. Informational backmatter and author’s sources are extensive. Undoubtedly these will help teachers, librarians, and parents to develop Puerto Rican cultural programs, curriculum, or home activities to extend young readers’ learning. The inclusion of instructions to make one’s own homemade güiro is a thoughtful addition. The Spanish translation, also by Delacre and published simultaneously, will require a more advanced reader than the English one to recognize and comprehend contractions (“pa’bajo-pa-pa’rriba”) and relatively sophisticated vocabulary.
A welcome, well-researched reflection of cultural pride in the early-reader landscape. (Early reader. 7-9)Pub Date: Sept. 17, 2019
ISBN: 978-0-89239-429-6
Page Count: 64
Publisher: Children's Book Press
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
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