This poetic celebration of Muddy Waters’ musical truth is lifted still higher by Turk’s extraordinary art.
Mahin traces Muddy Waters’ path from his Mississippi Delta roots to legendary status as a Chicago blues giant.
McKinley Morganfield, raised by Grandma Della, is nicknamed Muddy for the Mississippi mud he plays in. Even more than church music, he loves the stuff “they didn’t play on Sundays”—Delta blues. Muddy soaks up such influences as slide guitarist Son House and plays what instruments he finds or makes. A fieldworker by day, he buys a guitar and plays juke joints at night. Mahin dramatizes Waters’ departure for Chicago as a last-straw disagreement with a field boss and uses a refrain—“But Muddy was never good at doing what he was told”—at seminal junctions. Waters responds to Chicago’s jazz-infused blues scene not by rejecting Delta blues, but by literally amplifying it: “Muddy plugged in, turned on, turned up, and out came the sound of the Delta, buzzing and mad like an angry hornet’s nest.” Turk’s breathtaking pictures fuse historical newspaper clippings, paint, printer’s ink, oil pastels, and china marker. His symbolic palette shifts from sun-seared, white-gold cotton, red earth, and undulating river-blue to Chicago’s urbane, neon-lit green, blue, and black. (Muddy retains his Delta-born, underpainted red contours throughout.) Motifs like the purple of Della’s dress repeat dynamically. A note on the copyright page states that both lyrics and dialogue are invented.
This poetic celebration of Muddy Waters’ musical truth is lifted still higher by Turk’s extraordinary art. (author’s note, suggested books and recordings) (Picture book. 6-10)Pub Date: Sept. 5, 2017
ISBN: 978-1-4814-4349-4
Page Count: 48
Publisher: Atheneum
Review Posted Online: June 13, 2017
Kirkus Reviews Issue: July 1, 2017
BOOK REVIEW
BOOK REVIEW
A rallying cry for anyone looking for a strong example of perseverance.
Brazilian surfer Gabeira offers a fictionalized version of her childhood with this story of an adventurous young girl who overcomes sexism and self-doubt to become a great athlete.
The inhabitants of the fishing village of Nazaré, Portugal, are in awe of a massive wave known as the Beast. A young villager named Maya has asthma and brings medicine with her wherever she goes; though shy, Maya finds fulfillment when moving her body during dancing, gymnastics, and swimming. Having grown up hearing about the Beast, she goes to see it for herself and is in awe of the massive wave, though she also notices boys surfing on it. Maya decides to try surfing, which her father encourages. The boys at the beach tell her surfing is no sport for girls, and she nearly believes them until a voice in a seashell tells her not to give up. Both text and illustrations offer a stirring account of Maya’s journey to surfing mastery. The Beast begins as a spectacle from afar, filling the page with its sheer scope. Maya is often framed within or beneath its crest, including a wonderful scene of her would-be hecklers watching dumbfounded as she joyously surfs ahead of them. Maya and her family are brown-skinned; for the most part, other residents of Nazaré range in skin color from tan to brown. In an author’s note, Gabeira describes growing up in Rio de Janeiro, Brazil, and, in 2007, setting a Guinness record for the largest wave ever surfed at Praia de Norte in Nazaré. (This book was reviewed digitally.)
A rallying cry for anyone looking for a strong example of perseverance. (Picture book. 7-10)Pub Date: Aug. 2, 2022
ISBN: 978-1-4197-6000-6
Page Count: 40
Publisher: Abrams
Review Posted Online: July 12, 2022
Kirkus Reviews Issue: Aug. 1, 2022
BOOK REVIEW
Deliberately inspirational and tinged with nostalgia, this will please fans but may strike others as overly idealistic.
Veteran picture-book creator Polacco tells another story from her childhood that celebrates the importance of staying true to one’s own interests and values.
After years of spending summers with her father and grandmother, narrator Trisha is excited to be spending the school year in Michigan with them. Unexpectedly abandoned by her summertime friends, Trisha quickly connects with fellow outsiders Thom and Ravanne, who may be familiar to readers from Polacco’s The Junkyard Wonders (2010). Throughout the school year, the three enjoy activities together and do their best to avoid school bully Billy. While a physical confrontation between Thom (aka “Sissy Boy”) and Billy does come, so does an opportunity for Thom to defy convention and share his talent with the community. Loosely sketched watercolor illustrations place the story in the middle of the last century, with somewhat old-fashioned clothing and an apparently all-White community. Trisha and her classmates appear to be what today would be called middle schoolers; a reference to something Trisha and her mom did when she was “only eight” suggests that several years have passed since that time. As usual, the lengthy first-person narrative is cozily conversational but includes some challenging vocabulary (textiles, lackeys, foretold). The author’s note provides a brief update about her friends’ careers and encourages readers to embrace their own differences. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at actual size.)
Deliberately inspirational and tinged with nostalgia, this will please fans but may strike others as overly idealistic. (Picture book. 7-10)Pub Date: Oct. 6, 2020
ISBN: 978-1-5344-2622-1
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
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