Next book

THE TRACKS WE MAKE

A relatable Rust Belt tale, but one that suffers from oversentimentality.

In McGruther’s coming-of-age novel, a teenage boy attempts to overcome his dead-end circumstances in a dying town.

It’s 1991, and senior year of high school is no picnic for Pete McCloskey. The 17-year-old begins each morning by attempting to sneak out of the house without waking his violent, alcoholic, 20-something brother, Troy. He then pedals his bike to school, past the closed train-car factory and vacant storefronts of downtown Snydersville, in western New York. Once there, he must make it through each day as a social pariah, hounded by bullies who delight in reminding him that his father is in prison for murder. (Pete’s mom is also gone; she left not long after his dad’s arrest without telling anyone where she was going.) The teen knows that a diploma is his ticket to a better life, but he’s struggling in math, his weakest subject. After school, he works at Stilson’s Food and Bev, the town liquor store, although Troy steals most of his paycheck. Pete has an offer to stay on full time at Stilson’s after he graduates, and he’s planning on accepting it when a minor bicycle accident leads to him spending an afternoon with Morgan Downer, “the most unusual and downright beautiful girl in our class”; he took a spill right in front of her house. The college-bound Morgan plans to become a pediatrician. Their moment of connection stirs a new ambition in Pete to figure out a way to take better control of his life. But is there a way for him to capture Morgan’s affection before she leaves Snydersville behind? And is there a chance that Pete can find a way out himself?

McGruther’s book delivers a highly specific, slightly romanticized idea of the 1990s Rust Belt that readers will recognize from Hollywood films and popular music; one can’t help but picture every one of these characters as wearing jean jackets. Unfortunately, the effect is more John Mellencamp than Bruce Springsteen. While McGruther’s prose is assured and highly readable throughout, it tends to take on a cloying tone, from its depiction of the wholesome, hardworking Morgan to its wistful portrait of Pete’s incarcerated father to its depiction of Mr. Stilson, the sage mailman-turned-liquor store owner. For example, at one point, Pete remembers a lesson that mailman Stilton taught him in his younger years: “‘See this, Pete?’ he’d said, holding up a stack of letters. ‘Each one of these is a story, a connection between people. Never underestimate the power of a simple message shared between people.’” Pete narrates the novel with the hindsight of adulthood, which means the book is filled with melancholic, semi-philosophical observations, such as “It was as if Snydersville was cradled in the valley and watched over by some higher power that kept each of us torn between our desires and our needs.” Although many readers are likely to see something of themselves in Pete’s struggles, the slow, recursive pacing and general lack of incident ultimately make for an unrewarding read.

A relatable Rust Belt tale, but one that suffers from oversentimentality.

Pub Date: Nov. 17, 2023

ISBN: 9798218319731

Page Count: 188

Publisher: Hosel & Ferrule Books

Review Posted Online: Jan. 23, 2024

Awards & Accolades

Likes

  • Readers Vote
  • 238


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Awards & Accolades

Likes

  • Readers Vote
  • 238


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

Next book

HOLLYWOOD, ENDING

A classic Green portrait of young love…but here the fault is in our social media.

A relationship between young screen actors is magical, fraught, and relentlessly public in Green’s first novel for adults.

“Every movie romance needs an Obstacle, a reason the characters don’t naturally fall into each other.” In the off-screen romance between actors Juniper Castillo and Kai Laramie, the obstacle is a moving target. Juniper notices early on that as flirty and forward as Kai is, he seems “closed off to a romantic connection”; that turns out to be the tip of a very problematic iceberg. The two meet in the lobby of a Pittsburgh hotel where they will be spending the evening with Matthew Malone, the megastar playing Andy Warhol in a movie they’re about to begin shooting, Andy Warhol Never Gets Old. Kai has been cast as Andy’s intern, Juniper as a journalist who gets in over her head. This is Juniper’s first adult role after a long run as a Nickelodeon child star, and newcomer Kai’s first role of any kind. Green evokes in compelling detail all the phases and aspects of the film project, from the table read to the screening of the rough cut, from the social media fanfare to the public premiere and the press junket, moving back and forth between Juniper’s and Kai’s first-person perspectives. In a meeting with one of the ubiquitous publicists, Kai learns that somehow “the high school stuff” he never talks about—despite their growing inseparability and seemingly profound connection, he hasn’t even brought himself to share it with Juniper—has surfaced. Details emerge slowly, then blow up in the media; the book’s third act focuses on the destructive potential of celebrity culture in a climate that makes Warhol’s milieu look innocent by comparison. After a long break from writing fiction—his last two books were Everything Is Tuberculosis (2025) and The Anthropocene Reviewed (2021)—Green fills this novel with carefully observed details of Hollywood culture and characters, including running jokes about vegan cuisine, media training, and the way Kai’s agent constantly and boorishly consults his young female assistant on points of political correctness. Can he talk about “hot girls”? Can he quote T.S. Eliot? OK to say “dog vomit”?

A classic Green portrait of young love…but here the fault is in our social media.

Pub Date: Sept. 22, 2026

ISBN: 9780525426073

Page Count: 304

Publisher: Dutton

Review Posted Online: Sept. 4, 2026

Kirkus Reviews Issue: yesterday

Close Quickview