by Michael Meyer ‧ RELEASE DATE: Oct. 10, 2017
Some of the impressions are dated, but the majority are charming and revealing.
Impressions of China from an experienced guide.
From 1995 to 1997, Meyer (In Manchuria: A Village Called Wasteland and the Transformation of Rural China, 2015, etc.) was stationed in a small town as a Peace Corps teacher of English. He later went on make bilingual travel journalism his livelihood, and here, he provides a humorous, detailed chronicle of the kind of bewildering, bracing contact impressions between him and the Chinese that illustrate both the huge divide between the two countries as well as the shared humanity. What he underscores throughout is how rare seeing a white person was for most Chinese at this transitional time and the curiosity of the Chinese students about Americans. Many admitted outright that they had been taught to distrust America, yet they liked him, whose name transliterated in slang as “Sold Son” or “Heroic Eastern Plumblossom.” Speaking Chinese that sounded like a Sichuan farmer’s, Meyer had many delightful and appalling adventures, and he delineates his experiences with a great verve and a light hand. He recalls the trepidation he felt when locals menacingly shouted their word for “foreigner” at him. But he also experienced a curious opening of the Chinese mind, a process that had begun some years earlier when Deng Xiaoping famously declared, “we have nothing to fear from the West.” As a teacher, Meyer was urged to “teach the Beatles,” which turned out to be “sound pedagogical advice.” The author posted many of his early writings to publications in the U.S. as well as to his family via letters. Eventually, love intervened, in the form of a fellow teacher at his new school in Beijing; Frances was a bright student thwarted in her ambitions until she met Meyer. The author depicts many moving moments, such as the wonder of one student when he brought them (for “extra credit”) to Tiananmen Square on June 4, 1999: the 10th anniversary of the famed clash.
Some of the impressions are dated, but the majority are charming and revealing.Pub Date: Oct. 10, 2017
ISBN: 978-1-63286-935-7
Page Count: 320
Publisher: Bloomsbury
Review Posted Online: Aug. 21, 2017
Kirkus Reviews Issue: Sept. 1, 2017
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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