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THE GEOGRAPHICAL CURE

Geography is both cure and curse in Parker's second book (after Hello Down There, 1993), a collection of short fiction set in the modern South. His protagonists must often struggle with the burdens of the past as they are tempted by spontaneity, danger, and wanderlust. Their creator follows each tale to its proper length—some are novellas, others stories—attending also to the unique voices of his narrators, who range from an innocent boy taken along on a wild ride to a septuagenarian of some literary pretensions. The latter, in ``As Told To,'' is reading his older brother's memoir of world traveling for the State Department, which brings to the surface more than 50 years of envy and resentment. Parker eschews Faulknerian Sturm und Drang about the agonies of life below the Mason-Dixon line, but he is sensitive to his mostly middle-class characters' ambivalence about staying in the South, as when a North Carolinian ponders what might have happened if he had traveled the world instead of becoming a bail bondsman in ``Commit to Memory.'' He also explores the South's meaning through the eyes of outsiders. In the fine story ``The Little Marine,'' a boy copes with his mother's crazy plans after she leaves his father and joins her lover on a journey south. A long novella, ``Golden Hour,'' brilliantly portrays a clash of races, classes, and cultures through the story of strange conflict among a former ``beach music'' legend, a late '60s radical from California, a rigid do- good teacher from Ohio, and a well-meaning vo-tech administrator. Personal emotions independent of geography are treated as well: A troubled teenager finds a kindred spirit in ``Cursive''; fierce, unrequited passion for his ex-wife compels the narrator of ``Love Wild'' into an unhealthy relationship with her peculiar brother. Honest, graceful prose perfectly matches these stories' sense of place and past.

Pub Date: July 1, 1994

ISBN: 0-684-19682-4

Page Count: 300

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1994

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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