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CHOMP

A SHARK ROMP

Less a romp than a stroll—enjoyable but a little sedate.

A gallery of shark shapes and sizes, attitudes and appetites.

Bright (and forgivably inaccurate) colors saturate otherwise-simple spreads that catalog some of the many species of sharks that live in our planet’s oceans. Lilting text introduces different sharks in opposing and oversimplified terms: “Some sharks are bottom dwellers… / but other sharks are surface breakers” (referencing the goblin shark and the great white, respectively). Very general differences in ferocity (whale shark and bull shark), pickiness (basking shark and tiger shark), social habits (lemon shark and cookiecutter shark), and climate preferences (Greenland shark and hammerhead shark) frame each new pair of sharks, with each presented on its own spread—visually striking but counterproductive to the text’s attempt at continuity. More-specific facts and explanations are omitted, hopefully prompting curiosity that will send readers to their libraries or, if they’re lucky, their local aquarium, where Paul somewhat flimsily reminds them sharks can be visited up close. Unfortunately, and despite colorful and inviting illustrations, these same omissions also make this a book unlikely to be called on more than once or twice. Those with “Baby Shark” fans to satisfy should try pairing this with Shawn Loves Sharks, by Curtis Manley and illustrated by Tracy Subisak (2017), or Misunderstood Shark, by Amy Dyckman and illustrated by Scott Magoon (2018), to up both the entertainment and information values.

Less a romp than a stroll—enjoyable but a little sedate. (Informational picture book. 4-7)

Pub Date: April 16, 2019

ISBN: 978-1-5247-6702-0

Page Count: 40

Publisher: Crown

Review Posted Online: Jan. 27, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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MANGO, ABUELA, AND ME

This warm family story is a splendid showcase for the combined talents of Medina, a Pura Belpré award winner, and Dominguez,...

Abuela is coming to stay with Mia and her parents. But how will they communicate if Mia speaks little Spanish and Abuela, little English? Could it be that a parrot named Mango is the solution?

The measured, evocative text describes how Mia’s español is not good enough to tell Abuela the things a grandmother should know. And Abuela’s English is too poquito to tell Mia all the stories a granddaughter wants to hear. Mia sets out to teach her Abuela English. A red feather Abuela has brought with her to remind her of a wild parrot that roosted in her mango trees back home gives Mia an idea. She and her mother buy a parrot they name Mango. And as Abuela and Mia teach Mango, and each other, to speak both Spanish and English, their “mouths [fill] with things to say.” The accompanying illustrations are charmingly executed in ink, gouache, and marker, “with a sprinkling of digital magic.” They depict a cheery urban neighborhood and a comfortable, small apartment. Readers from multigenerational immigrant families will recognize the all-too-familiar language barrier. They will also cheer for the warm and loving relationship between Abuela and Mia, which is evident in both text and illustrations even as the characters struggle to understand each other. A Spanish-language edition, Mango, Abuela, y yo, gracefully translated by Teresa Mlawer, publishes simultaneously.

This warm family story is a splendid showcase for the combined talents of Medina, a Pura Belpré award winner, and Dominguez, an honoree. (Picture book. 4-7)

Pub Date: Aug. 25, 2015

ISBN: 978-0-7636-6900-3

Page Count: 32

Publisher: Candlewick

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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THE MOST MAGNIFICENT THING

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...

Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.

First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)

Pub Date: April 1, 2014

ISBN: 978-1-55453-704-4

Page Count: 32

Publisher: Kids Can

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

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