A war novel with a voice all its own, this will stand as one of the definitive renderings of the Iraq experience.
The corrosive psychological effects—and the dark humor—of modern conflict are hauntingly captured in Iraq War veteran Pitre's powerfully understated debut.
Named after a procedure by which Marine convoys maintain the proper distance from a possible roadside bomb, the novel moves in oddly unsettling rhythms between present-day New Orleans, where members of a bomb-defusing unit uneasily reunite, and Iraq, where they had to contend not only with lethal potholes and a nebulous enemy, but also Blackwater-like contractors who couldn't care less about their well-beings. At the heart of the novel is a gangsta rap–loving, increasingly vocal Iraqi translator nicknamed Dodge, who goes to work for the Americans even as his father and brother plot to kill them—not because they hate them but as a way of hastening their exits from the country. Pitre, who served two tours in Iraq, uses his superior powers of observation and empathy to maximum effect; he knows he doesn't have to overdramatize sudden deaths and betrayals and PTSD. And though Dodge's ongoing study of Huckleberry Finn provides metaphoric weight, Pitre plays down his literary aims in favor of a straightforward, even-keeled narrative. Among the many memorable scenes is one in which Lt. Pete Donovan, his nerves already stretched to the max, upbraids a callow young private security officer in an air-conditioned Suburban for exposing his heat-stricken men to a leaking stockpile of toxic chemicals. The story is told from the alternating perspectives of Donovan; his drug-addicted fellow Marine, Doc; and Dodge. Though the narrative voices of Donovan and Doc sometimes blend together, and the scenes on the homefront, where Donovan gets a job with a money management firm, are a bit undercooked, those are minor flaws in a book in which everything rings so unshakably true.
A war novel with a voice all its own, this will stand as one of the definitive renderings of the Iraq experience.Pub Date: Aug. 26, 2014
ISBN: 978-1-62040-754-7
Page Count: 384
Publisher: Bloomsbury
Review Posted Online: June 25, 2014
Kirkus Reviews Issue: Aug. 1, 2014
PROFILES
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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