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GOOD GIRL, BAD GIRL

Robotham is a master plotter at the top of his form, and readers will surely hope to see more of his complicated new...

Troubled psychologist Cyrus Haven has to evaluate a girl without a past while finding out who killed a rising young figure skater.

Evie Cormac is an enigma. No one knew who she was when she was found in a secret room in a north London home, weighing less than a child half her age, which was determined to be 11 or 12. Only a few feet from her hiding place was the decomposing body of a man who had been tortured to death. Given a new name, she ended up in Nottingham’s Langford Hall, a high security children’s home, after a series of foster homes. Now, six years later, she’s eager to be declared an adult, so Cyrus must evaluate her for possible release. Evie is rude, unruly, self-destructive, prone to occasional violence, heartbreakingly naïve, and very, very broken. She also seems to be able to tell, with remarkable consistency, when someone is lying. This intrigues Cyrus, who wrote a thesis on human lie detectors, aka “truth wizards.” When Cyrus makes an impulsive choice to temporarily foster Evie, it brings a basket of challenges to his already complicated life. Meanwhile, Cyrus is assisting his mentor, Chief Inspector Lenny Parvel, in the investigation of the suspicious death and possible rape of 15-year-old Jodie Sheehan, who was called the “golden girl of British skating.” Some shocking revelations lead Cyrus and the police down a rabbit hole of dark family secrets, and Evie can’t help but involve herself in the investigation. It’s the careful and often poignant interplay between Cyrus and Evie that elevates this consistently stellar yarn. Cyrus’ parents and sisters were murdered when he was just a boy, and by all accounts Evie's childhood was nothing short of a hellscape. Trauma unites them, but Robotham (The Secrets She Keeps, 2017, etc.) seeks to show that together, they might begin to heal. Readers will adore the brilliant hot mess that is Evie, and more than a few moments are breathtakingly sad, such as Evie’s confusion about her wrinkly fingers during a long bath…because she’s never in her life had one.

Robotham is a master plotter at the top of his form, and readers will surely hope to see more of his complicated new characters.

Pub Date: July 23, 2019

ISBN: 978-1-9821-0360-6

Page Count: 368

Publisher: Scribner

Review Posted Online: May 12, 2019

Kirkus Reviews Issue: June 1, 2019

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SAINT X

This killer debut is both a thriller with a vivid setting and an insightful study of race, class, and obsession.

The death of a teenage vacationer on a fictional Caribbean island reverberates through many lives, particularly those of her 7-year-old sister and one of the workers at the resort.

“Look. A girl is walking down the sand.…As she walks, heads turn—young men, openly; older men, more subtly; older women, longingly.…This is Alison.” A dangerous froth of sexual tension escalates around Alison Thomas, visiting Saint X from the wealthy New York suburbs with her parents and little sister, Claire. Schaitkin evokes her fictional resort with sureness—“the long drive lined with perfectly vertical palm trees,” “the beach where lounge chairs are arranged in a parabola,” the scents of “frangipani and coconut sunscreen and the mild saline of equatorial ocean.” After the disaster, the focus shifts to Claire, who changes her name to Emily after her bereaved family moves to California but never escapes the shadow of the event. “I knew the exact day I outlived Alison. Eighteen years, three months, twelve days.” When she moves back East for a publishing job in New York City, she crosses paths with one of the resort employees her sister was partying with the night she died. These men were exonerated in the matter of Alison's death, but Clive Richardson was arrested for selling pot in the process; after prison, his life is so devastated that he immigrates to Manhattan. After Emily gets in Clive’s taxicab, her obsessive desire to know more about her sister’s death—which, by now, the reader fully shares—consumes her life. The complex point of view, shifting among an omniscient narrator, Emily's perspective in first person, Clive’s immigrant story in close third, plus brief testimonies from myriad minor characters, works brilliantly. Just as impressive are Schaitkin’s unflinching examinations of the roles of race, privilege, and human nature in the long-unfolding tragedy. Setting the story in a fictional place, collaged and verbally photoshopped from real Caribbean settings, is daring, but this writer is fearless, and her gamble pays off.

This killer debut is both a thriller with a vivid setting and an insightful study of race, class, and obsession.

Pub Date: Feb. 18, 2020

ISBN: 978-1-250-21959-6

Page Count: 352

Publisher: Celadon Books

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

Awards & Accolades

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  • Kirkus Reviews'
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FOOL ME ONCE

Once again, Coben marries his two greatest strengths—masterfully paced plotting that leads to a climactic string of...

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller

Coben (The Stranger, 2015, etc.) hits the bull’s eye again with this taut tale of a disgraced combat veteran whose homefront life is turned upside down by an image captured by her nanny cam.

Recent widows can’t be too careful, and the day she buries the husband who was shot by a pair of muggers in Central Park, Maya Burkett installs a concealed camera in her home to keep an eye on Lily, her 2-year-old daughter, and her nanny, Isabella Mendez , while she’s out at her job as a flight instructor. She’s shocked beyond belief when she checks the footage and sees images of her murdered husband returned from the grave to her den. Confronted with the video, Isabella claims she doesn’t see anything that looks like Joe Burkett, then blasts Maya with pepper spray and takes off with the memory card. Should Maya go to the police? They were no help when her sister, Claire, was killed in a home invasion while she was deployed in the Middle East, and she doesn’t trust Roger Kierce, the NYPD homicide detective heading the investigation of Joe’s murder. Besides, Maya’s already juggling a heavy load of baggage. Whistle-blower Corey Rudzinski ended her military career when he posted footage of her ordering a defensive airstrike that killed five civilians, and she’s just waiting for him to release the audio feed that would damage her reputation even more. So after Kierce drops a bombshell—the same gun was used to shoot both Joe and Claire—Maya launches her own investigation, little knowing that it will link both murders to the death more than 10 years ago of Joe’s brother Andrew and the secrets the wealthy and powerful Burkett family has been hiding ever since.

Once again, Coben marries his two greatest strengths—masterfully paced plotting that leads to a climactic string of fireworks and the ability to root all the revelations in deeply felt emotions—in a tale guaranteed to fool even the craftiest readers a lot more than once.

Pub Date: March 22, 2016

ISBN: 978-0-525-95509-2

Page Count: 400

Publisher: Dutton

Review Posted Online: Jan. 20, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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