Engaging for both the curious and the ardent fan.
This biography of visionary pioneer Will Eisner (1917–2005) also includes a compact history of the progression from comic books to graphic novels.
Though Eisner’s 1940s hero, The Spirit, never achieved as much subsequent mainstream cultural currency as Superman or Batman, no comics artist has been more influential or prophetic. Even before the great comics scare of the ’50s, during which the medium was widely condemned as a corrupting influence on the nation’s youth, Eisner proclaimed his intentions: “Comics—sequential art—is my medium. I regard it as much my singular medium as a writer who writes only words or the motion-picture man who writes only in movies…it has perimeters and it has parameters; it has grammar; it has distinct rules; it has limitations; and it has possibilities which have not really been touched.” Eisner lived to not only see his manifesto fulfilled by a new generation of “underground” artists, but he was inspired by their popularity to create the most conceptually ambitious work of his career, following a hiatus of a couple of decades. Schumacher (Wreck of the Carl D.: A True Story of Loss, Survival, and Rescue at Sea, 2008, etc.) draws heavily from other sources for a competent detailing of his emergence into the profession, yet the book really comes alive when it advances to his artistic resurrection, through interviews with many of those inspired by Eisner and critical commentary that demonstrates Schumacher’s intense passion for, and deep knowledge of, his subject. “His work was his therapy,” writes the author of the death of Eisner’s teenage daughter, “and later, when the time was right, he would creatively combine his work and grief into a sequential art form that would help change the direction of comics.”
Engaging for both the curious and the ardent fan.Pub Date: Nov. 9, 2010
ISBN: 978-1-60819-013-3
Page Count: 368
Publisher: Bloomsbury
Review Posted Online: July 12, 2010
Kirkus Reviews Issue: Aug. 1, 2010
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
