A thoughtful snapshot of a crumbling rock ’n’ roll fantasy.
A hard-rocking band that started as a joke ends its run at stardom during a long, bad day in Amsterdam.
In his debut novel, Shilling paints a portrait of an imploding band on tour. The book somehow manages to be simultaneously bleak and archly funny. The fictional group, Blood Orphans, was once the next big thing, cooked up over tequila by drummer Darlo Cox and the book’s standout character, punk fashionista and band manager Joey Fredericks, “a foul-mouthed fox who could snort coke like an aardvark.” Custom designed to send up hair metal, the boys had it all: a contract with Warner Bros., a gig opening for Aerosmith and fans devoted to their riotous concerts. But after Spin magazine labels the band’s song “Double Mocha Lattay” unforgivably racist, the bottom quickly falls out. In the middle of their European tour, Joey gets word from the label that the band is being dropped. With rich characterizations and surprisingly complex back stories, the author gets under the skin of his ragtag brotherhood. There’s Bobby, the bass guitarist with a case of eczema; sex fiend Darlo, whose damage originates from his porn-manufacturing parents; Adam, the talented guitarist who’s far too nice a guy for the debauchery the gig requires; and singer Shane, a self-centered Christian rocker faking his way through Buddhism. Shilling nails the age of A&R excess that existed before iTunes killed the record store and bands gave away albums for free, offering up a biting indictment of celebrity adulation and the Commitments-like heartbreak of the whimpering end of an era. The dismal grind of the road, the backbiting among bandmates and the pitfalls of artificial success should be recognizable to former guitar heroes everywhere.
A thoughtful snapshot of a crumbling rock ’n’ roll fantasy.Pub Date: Jan. 9, 2009
ISBN: 978-0-316-03192-9
Page Count: 384
Publisher: Back Bay/Little, Brown
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 15, 2008
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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