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THE RAPE OF THE MUSE

 Stein’s deftly written literary novel examines the art world through the eyes of a young artist, Rand Taber.

The plot centers on a dispute between two longtime friends, Simon Pruhar and Harris Montrose. Montrose paints a depiction of an artistic Muse being raped, and it appears on the cover of Vanity Fair. Simon believes the rapist looks a great deal like him, and feeling hurt and betrayed, he sues. The court trial forms the story’s main narrative thread: Did Montrose maliciously portray his friend and in the process damage Pruhar’s reputation? Unfortunately, the trial’s outcome matters little to the reader. More interesting are the characters themselves—especially Montrose because of his casual cruelty to his friend—and the discussions about what constitutes art. Both men are colossal jerks, although Rand doesn’t seem especially bothered by that fact. He’s been hired as Montrose’s assistant, but his main focus is on getting laid by Binny, who happily keeps a two-boyfriend-at-a-time policy. Rand asks another character, “When did you become an asshole?” It’s a question he well could ask three or four people in this novel. Stein’s writing is fun, with original phrasing and expressions that make this a bearable story even though it’s about obnoxious, self-important artists. Montrose describes Michelangelo’s David as the world’s largest homosexual, and Rand observes of a woman: “She wore clothes only to show she wore nothing underneath.” On the other hand, there is plenty of beautiful descriptions of irrelevancies, such as the grill marks on the salmon a woman is cooking. The novel is certainly a worthy read for anyone interested in the art scene, but readers seeking an outcome to care about may want to keep looking.  

Pub Date: Oct. 1, 2011

ISBN: 978-1-57962-223-7

Page Count: 206

Publisher: Permanent Press

Review Posted Online: Sept. 19, 2011

Kirkus Reviews Issue: Oct. 1, 2011

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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