Despite some gratuitous name-dropping, a warm account full of laughs and love.

FAMILY MEALS

COMING TOGETHER TO CARE FOR AN AGING PARENT

Actor Tucker’s follow-up memoir to Living in a Foreign Language: A Memoir of Food, Wine, and Love in Italy (2007).

Best known for his role on L.A. Law, Tucker takes enormous pleasure in food, wine and friends, especially when all are to be found in Italy, where he and his wife, actress Jill Eikenberry, have a house in Umbria. The gregarious author enthusiastically writes about his enjoyment of all things Italian, especially mouthwatering meals. But when Jill’s mother, Lora, was widowed, a darker world began to intrude on their sunny semi-retirement. When Lora’s subsequent decline into dementia made independent living in Santa Barbara, Calif., impossible for her, they moved the elderly widow to a senior residence near the Manhattan apartment where the couple lived during part of the year. That arrangement proved unsatisfactory as well, and eventually she moved into an apartment across the hall from them. Tucker makes clear his misgivings about this proximity, and he ably captures his wife’s complicated feelings of guilt, responsibility and love. When his daughter Alison, an accomplished caterer, moved to Manhattan and took an apartment nearby and their son Max, a musician, moved in with her, Tucker realized that their new arrangement resembled the close, multigenerational family life so common in Italian society. The benefits were huge, with everyone supporting each other, and Alison brought the added bonus of terrific food. Tucker and his wife were able to move ahead with a film they had been producing and appear in an off-off-Broadway musical. The author—whose sturdy ego is evident, as are his concerns about his privacy—presents himself more as a sympathetic observer than as a deeply involved participant in the mother-in-law project.

Despite some gratuitous name-dropping, a warm account full of laughs and love.

Pub Date: Nov. 1, 2009

ISBN: 978-0-8021-1921-6

Page Count: 288

Publisher: Atlantic Monthly

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 1, 2009

Did you like this book?

No Comments Yet

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

Did you like this book?

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

Did you like this book?

more