A lightweight novel that’s paradoxically both earthy and frothy.
Actor Tucker, best known for his work on L.A. Law, writes his first novel—about an actor who loses his beloved wife to cancer, though hints of a May-December romance are in the wings.
Herbie Aaron and his wife Annie have been a celebrity couple over many long years, but Annie is now facing her final curtain. Herbie deals with this in part by hitting the bars pretty hard, and in one he notices Olive, a bartender who’s a knockout but who’s also young enough to be his daughter. He tells Annie about Olive, and Annie insists on meeting her. When the inevitable happens and Annie dies, Herbie gets in touch with his agent to help Olive land a job—somewhat implausibly—as an actress, and despite the prodigious unemployment rate among professional actors, Olive lands a job in Uncle Vanya, albeit in Rochester rather than on Broadway. Meanwhile, Herbie copes by heading to South Carolina to play some golf and reminisce about the good times he had with Annie. While trying to master the intricacies of a game he doesn’t even like, he hires Billy (a woman) to improve his skill on the links, but because Billy is a lesbian, Herbie wisely senses the unlikelihood of romance from that quarter, though Billy’s sister Roxanne is another story. Every evening, however, he gets a phone call from Olive, who gives progress reports on her rehearsals with a hot-shot young director and a lead actor who seems to be having psychotic episodes—or is he merely an actor who pretends to have psychotic episodes to juice up his role as Vanya? By the end we’re led to believe that despite his loyalty to Annie, Herbie might in fact find a life with Olive.
A lightweight novel that’s paradoxically both earthy and frothy.Pub Date: March 1, 2012
ISBN: 978-1-59020-735-2
Page Count: 224
Publisher: Overlook
Review Posted Online: Dec. 28, 2011
Kirkus Reviews Issue: Jan. 15, 2012
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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