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THE BIG WHY

The first U.S. publication from Canadian author Winter, this is a highly entertaining and ultimately profound novel of a...

The talented, libidinous and often notorious American landscape painter Rockwell Kent emerges like a fresh scandal in this historical novel based on the life of the man best remembered as the illustrator of Moby-Dick.

Written in the first person, as if Kent were jotting journal notes as they occur to him, the story opens on the eve of WWI when the artist discovers that both his wife and mistress are pregnant. His solution is to leave the family’s cramped Greenwich Village apartment and travel to Brigus, Newfoundland, a coastal fishing village, bidding his wife Kathleen to bring their children and join him after the thaw. (The mistress stays in Boston with a cash settlement that Kent, when the child dies, asks her to refund.) Welcomed in Brigus by arctic explorer Robert Bartlett and a fatherless boy named Tom Dobie, both of whom help Kent shore up a dwelling by the sea, among other neighborly acts to keep him from dying of exposure, the artist settles into the community with the ease of a porcupine in a pup tent. Kent’s socialist leanings and calls for the establishment of unions anger the captains of the fishing industry. His love of German music and poetry leads the locals to think he’s a spy. His refusal to heed warnings or tone down his opinions prompts him to paint a German eagle on his studio wall along with the words “Bomb Shop.” Tensions ease when Kathleen arrives with the spring, until the artist takes up with Emily Edwards, the fiancée of Kent’s young friend Dobie, who has enlisted to fight in the war. The townsfolk simply cannot comprehend the actions of the philandering man who wanders the coast and fields, observing them as they work. A spy, indeed.

The first U.S. publication from Canadian author Winter, this is a highly entertaining and ultimately profound novel of a quixotic man who reveres nature’s awful beauty.

Pub Date: Jan. 24, 2006

ISBN: 1-59691-025-9

Page Count: 384

Publisher: Bloomsbury

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2005

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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