There are those who would be embarrassed to express a sentiment as bold and exuberant as, “I hunger for life.” But...
O’Siadhail has nine collections to his credit, two of which (Hail! Madam Jazz and A Fragile City) are included here in their entirety, along with selections from his other books. While he has given readings and broadcasts of his work throughout Europe and North America, O’Siadhail’s voice remains unfamiliar to most in the US. One imagines, since his first three books were originally written in Irish, a rich and seductive baritone gradually drawing listeners to him in ever tighter circles, putting the glamour on them according to the best traditions of the seanachaidh (the reciter of ancient lore, the troubadour poet, the chronicler of his time). Every generation looks upon itself as the one which lived during a period of unprecedented change, gazing into the abyss and wondering whether they will be noted for soaring or plunging, but none has garnered more attention than the notorious “Baby Boomers,” of whom O’Siadhail (born in 1947) is one. But his poetic perspective is not so narrowly defined. True, he writes of the lure of “Bohemia, that counterworld . . . unlatching its oyster of adventure,” but the significant events in his life are not the public, epochal events, but those more intimate, private, and (perhaps counterintuitively) more universal. The scenes he describes in his verse deal with the vicissitudes of love and friendship, the maelstrom of desire, the sadness of leaving, the “making headway by detour.” He expresses these in a great variety of traditional poetic forms, but his thoughts are continually fresh.
There are those who would be embarrassed to express a sentiment as bold and exuberant as, “I hunger for life.” But fortunately for us, O’Siadhail is not one of them, for he has “flown Icarusly near the sun.”Pub Date: June 1, 2000
ISBN: 1-85224-495-X
Page Count: 238
Publisher: N/A
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 15, 2000
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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