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DAUGHTERS OF THE HOUSE

A 1992 Booker Prize finalist, this gothic sixth novel by a London author, poet, and playwright (The Visitation—not reviewed) plumbs the dark secrets left in a villa in Normandy by the Nazi officers who were once billeted there. Twenty years ago, during the French Occupation of WW II, ascetic Antoinette Martin of Normandy became pregnant and was forced to give up her dream of becoming a nun. She married a local low-born admirer and gave birth to a girl, ThÇräse; soon after, Antoinette's widowed sister, Madeleine, returned to the villa with her own young daughter, LÇonie, to keep Antoinette company. Cousins ThÇräse and LÇonie, who disliked each other instantly, struggled through their postwar childhoods in an uneasy truce, aware but not aware that in the depths of the old villa lived a secret they were forbidden to uncover. As the girls approached puberty, Antoinette died of breast cancer; Madeleine made a bid to marry her sister's widower; and ThÇräse and LÇonie learned that a Jewish family hidden by the Martins during the war were betrayed by one of the villagers and murdered in the nearby forest. The Catholic cousins' reaction to this horrifying news was to witness the miraculous appearance of the Virgin Mary on the very spot where the Jews were killed. Soon, spiritually ambitious ThÇräse learned to use her visions to secure herself a place in a convent, while LÇonie gave up on spiritualism altogether and threw herself into a life of sensuality. The final discovery—that Antoinette may have been impregnated by the man who betrayed the Jews, and that the cousins may actually be the twin offsprings of that act—separated ThÇräse and LÇonie for 20 years- -until the burden of their secret brings ThÇräse home to complete their story. Breathless and sinister but frustratingly opaque: the power of Roberts's novel lies in what remains unsaid.

Pub Date: Sept. 24, 1993

ISBN: 0-688-04610-X

Page Count: 192

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1993

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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