An interesting—and maybe even a promising—start
Serros (Chicana Falsa, not reviewed) offers an unusual second “fiction,” a work that defies single classification. The story of “Michele Serros,” it’s a sly, hyperkinetic romp that’s part story collection, part stand-up comedy, part self-help for aspiring writers.
Instead of chapters, Serros supplies the reader with 13 “rules” that could have come under the heading “I Didn't Know It Would Be This Way.” Serros’s road to UCLA and publication is pockmarked with misconceptions, some hilarious, others sad. Asked to attend a Chicana writers’ conference, she arrives to discover that she’s been hired to serve food, not read her poetry. But this energetic young woman doesn’t let the croissants or an apron stop her from reading at open mike, after which a small-press publisher offers his card, prints her book, then leaves her with boxes of copies to hawk on her own. No matter what she does, Serros is alternately confused and amused by the contradictions around her. She’s hired to model for an artist because of her Mexican nose, the one feature she dislikes most in herself. Fellow Latinos and Latinas frown upon her for not speaking Spanish well, yet she receives instructions from a fan urging her to be more “universal” by dropping the Spanish from her work. Even her friend Martha Reyes tells her to “make yourself less Mexican, less girl” in trying to insure Serros a reading public. The best rule, however, comes from Aunt Tura: “If you want a real story, you need to look in your own backyard more often.” Indeed, only when Serros creates vivid family scenes are we drawn effortlessly into a world she cares about. Once her defensive guard is down, her gift for dialogue emerges, along with that rare ability to move readers toward complexity of emotion and thought—the things that make this not quite accomplished yet exciting new “fiction” distinctive.
An interesting—and maybe even a promising—startPub Date: July 10, 2000
ISBN: 1-57322-824-9
Page Count: 240
Publisher: Riverhead
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2000
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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