by Michelle Cameron ‧ RELEASE DATE: April 7, 2020
A gripping peek into a bygone Italy and an astute look at the era’s prejudice.
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A historical novel set in Italy at the end of the 18th century explores the plight of persecuted Jews and the possibility of religious tolerance.
Mirelle d’Ancona is a young Jewish girl in Ancona, Italy. Despite her family’s business success—her father owns a well-regarded ketubah workshop—she suffers from the same restrictions onerously placed on all Jews in Italy in 1796. She is prohibited from leaving the Jewish ghetto at night. And she cannot venture outside without wearing the yellow armband that marks her second-class citizenship, a humiliation not attenuated by her otherwise privileged existence: “She found it difficult to reconcile her comfortable life with the nightly imprisonment to which she and her neighbors were subjected.” Her father, Simone, pushes for her to marry Signor Morpurgo, a sensible choice considering the businessman’s wealth. But Mirelle pines for Christophe Lefevre, a French soldier under the command of Napoleon while he marches through Italy. Christophe is not only part of an invading military force, but also a Roman Catholic. Meanwhile, a Catholic named Francesca Marotti causes a stir when she claims to see a painted Madonna look down on her and shed a tear, a miraculous moment some interpret as a sign to take up arms against both the French and the Jews. Francesca is no friend of the Jews, but she doesn’t share her husband Emilio’s murderous contempt for them either. He’s pulled into a conspiracy to pulverize the Jewish community organized by Cardinal Ranuzzi. Cameron delicately details Francesca’s crisis of conscience, torn between the anti-Semitic venom of her husband and the church to which she’s devoted and the example of Jewish decency a young French soldier, Daniel Isidore, provides. The author paints a vivid tableau of the historical period with impressive rigor and authenticity. In addition, Cameron provocatively wonders if, while prejudice is eternal, past ages were better equipped to manage it. Nevertheless, the story is a stirring one that never didactically lectures readers.
A gripping peek into a bygone Italy and an astute look at the era’s prejudice.Pub Date: April 7, 2020
ISBN: 978-1-63152-850-7
Page Count: 456
Publisher: She Writes Press
Review Posted Online: Feb. 21, 2020
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: Feb. 6, 2024
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
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by Leigh Bardugo ‧ RELEASE DATE: April 9, 2024
Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.
In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.
Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.
Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.Pub Date: April 9, 2024
ISBN: 9781250884251
Page Count: 400
Publisher: Flatiron Books
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
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by Leigh Bardugo ; illustrated by Dani Pendergast
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