A delightful story that shows supernatural beings can be romantic—and also very funny.
Mars’ quirky cross-genre debut is a Romeo-and-Juliet tale with a vampire and an alien who meet when humans rebel against the extraterrestrials on Earth.
In 2025, an alien species known as the Staraban lands on Earth. With a warning that the planet is mere decades away from death, the Staraban promise to relocate humans to an alternative planet. Humans are understandably wary, and some form the Humans Against Relocation Movement, headquartered in California. HARM’s co-leader Jack Daniels, a hacker/blogger, has been gathering intel on the aliens. She’s also been a vampire for the past five years, although only her friend Aurora “Rory” Espinoza knows this. Hacking the aliens’ computers, Jack ultimately has a confrontation with Tarc, the Alien Relocation Cooperative commander. Like other Staraban, he’s virtually identical to humans, but Jack finds him especially alluring. Neither puts a lot of effort into resisting their mutual attraction, but trouble may lie elsewhere, as earthlings question the true motive of the Vrolan, the aliens who asked the Staraban to relocate humans. An abduction occurs, and the ensuing rescue demands that HARM and ARC work together. Although this prospective series opener gleefully tackles a variety of genres, Mars focuses primarily on comedy. The Staraban, for example, seem particularly fascinated by pizza, and Rory “tortures” an alien captive by stealing his French fries. However, other genres are equally discernible, from erotica (occasional explicit scenes between Jack and Tarc) to romance as their physical intimacy becomes something more. With aliens looking just like humans, some characters are indistinguishable; Jack eventually befriends Jill, who’s essentially the human version of the vampire. But Mars’ witty, dialogue-laden narrative begets standouts like Rory, who’s oddly immune to Jack’s vampiric glamour, and Hal, Jack’s readily available AI that, at some point, takes over Jack’s blog and proves surprisingly narcissistic.
A delightful story that shows supernatural beings can be romantic—and also very funny.Pub Date: Dec. 2, 2019
ISBN: 978-1-951091-01-9
Page Count: 284
Publisher: Self
Review Posted Online: Feb. 4, 2020
Review Program: Kirkus Indie
This is a masterly novel. It will appeal to all lovers of fiction of the first order.
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana.
The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense.
This is a masterly novel. It will appeal to all lovers of fiction of the first order.Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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