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GIRL SINGER

Part jazz panegyric, part world history tour, altogether readable.

When a jazz musician walks into the Harlem restaurant where 19-year-old Avery Hall works and leaves behind his phone number, Avery’s life changes forever.

Hired to be a singer for Count Basie’s band, Avery’s world expands as she goes on tour and travels from West Virginia to New Orleans to the Jim Crow South. When she finally retires years later with a few bestselling records under her belt, she meets Karl, a German Jew who's fled Nazi Germany and spent time in Shanghai. Together, the two of them, a black woman and a white man, learn what it means to fall in love in a world where racism is the norm. Carlon (Travels with Louis, 2012, etc.) covers an unbelievable amount of ground in one novel. Through Avery’s retelling of her life, he explores how race relations differ across America and the plight of Jews in Hitler’s Germany and China, all accompanied by the deep, steady thrum of jazz in the background. Carlon conscientiously checks off each item on the list of social ills, but he skates over the nuances. But then, it’s entirely believable that Avery Hall, jazz singer, retelling the events of her life, would be entertaining without imparting any greater truths to her readers. Carlon slips easily into Avery’s voice, and he shines when he describes the music. Aficionados will enjoy the hat tip to greats such as Billie Holiday and Ella Fitzgerald, but casual readers might find their cameos slightly unbelievable.

Part jazz panegyric, part world history tour, altogether readable.

Pub Date: Nov. 10, 2015

ISBN: 978-1-935248-73-6

Page Count: 160

Publisher: Leapfrog

Review Posted Online: Aug. 16, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE SCREWTAPE LETTERS

These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.

Pub Date: Jan. 1, 1942

ISBN: 0060652934

Page Count: 53

Publisher: Macmillan

Review Posted Online: Oct. 17, 2011

Kirkus Reviews Issue: June 15, 1943

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