A soulless corporate birthday party that sheds no new light on its well-traveled subjects.
At the half-century mark, the “World’s Greatest Rock ’n’ Roll Band” unambitiously recounts its own story in pictures.
A commemorative project devoted to 50 years of the Rolling Stones faces some immediate problems, since the band, in emulation of the Beatles’ great multimedia success with Anthology, already took a look backward in According to the Rolling Stones (2003). That previous authorized work surveyed the Stones’ lives and careers with a minimum of candor and a wealth of illustrations. The present anniversary-year tome is a straight-up-the-middle picture book. After four short introductory essays by founding members Jagger, Richards and Watts, and longtime guitarist Wood, the collection becomes a photographic march down Memory Lane. Many of the shots will be familiar to Stones fans and to owners of the earlier book (and former bassist Bill Wyman’s colorful history, Rolling With the Stones); some of the short quotes that accompany the stills have been lifted directly from the 2003 work. With so little context supplied by the authors or their editors, readers are on their own. Anyone with knowledge of the group’s history or mythos will wind up filling in the blanks: “Say, isn’t that Mick’s ex-wife Bianca there? Is that saxophonist Bobby Keys?” Since the focus is almost exclusively on the band’s onstage life, the book works best as a pictorial reflection of the Stones’ status as a touring attraction of nearly unequaled massiveness. Ultimately, the book is little more than a visual keepsake for obsessive fans, some of whom will already own the revealing high-end picture books by such gifted Stones shutter men as Dominique Tarlé and Ethan Russell. As histories go, the book takes a distant back seat to such essential books as Richards’ bestselling Life (2010) and Stanley Booth’s still-revelatory work of fly-on-the-wall reporting, The True Adventures of the Rolling Stones (1985).
A soulless corporate birthday party that sheds no new light on its well-traveled subjects.Pub Date: Oct. 16, 2012
ISBN: 978-1-4013-2473-5
Page Count: 352
Publisher: Hyperion
Review Posted Online: Sept. 2, 2012
Kirkus Reviews Issue: Sept. 15, 2012
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
SEEN & HEARD
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