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WOMEN

Not quite as dynamic as Sebastian’s more explicitly political work, the novel is still a compelling portrait of desire in...

A young man's romantic and sexual exploits are examined from various angles in this novel first published in 1933.

In the first section of Sebastian’s (For Two Thousand Years, 2017) second novel to appear in English, a young Romanian medical student arrives at a guesthouse in the Alps. He has just completed his exams in Paris and has come to take a rest. Instead, he becomes involved with three different women at the guesthouse—romantically and sexually—and, all in all, there’s little rest to be had. His name is Stefan Valeriu. In the novel’s second section, time shifts forward and perspective shifts sideways. Valeriu is now narrating—not his own exploits, this time, but the sad situation of a girl he once knew, with “an impoverished, joyless life.” The novel shifts twice more after this: First there is a letter to Valeriu from a woman to whom he has apparently proclaimed his love; and, last of all, Valeriu returns to the first person to describe an earlier affair with a former acrobat. Sections are titled after the women they describe: Émilie, Maria, Arabela, and so on. But even though the novel takes as its main subject the romantic entanglements of its main character, there is something else, too, seething beneath this current. The novel was written in the years between the two world wars, and though no explicit reference to politics or history is ever made, the shadows of the wars are felt quite forcefully in each discrete section. Sebastian himself was a Jew from Romania who wrote openly about his experiences. Eventually, his friends abandoned him. He survived the Second World War only to die in a freak accident in 1945. Sebastian’s other, perhaps stronger, work deals more directly with the legacy of the wars, but this novel is no throwaway, either: It’s an edgy account of sexuality, desire, and the strictures of contemporary relationships.

Not quite as dynamic as Sebastian’s more explicitly political work, the novel is still a compelling portrait of desire in its many convoluted manifestations.

Pub Date: March 5, 2019

ISBN: 978-1-59051-954-7

Page Count: 192

Publisher: Other Press

Review Posted Online: Dec. 10, 2018

Kirkus Reviews Issue: Jan. 1, 2019

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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