by Mike Dash ‧ RELEASE DATE: June 12, 2007
A worthwhile history lesson, less compelling as a personal crime drama.
Dash (Batavia’s Graveyard, 2001, etc.) provides a colorful tour of early-20th-century New York in this Police Gazette–style tale of the only New York cop ever executed for murder.
The killing of well-known gambler Herman Rosenthal took place in 1912 outside a midtown hotel in “Satan’s Circus,” the street name for midtown Manhattan’s wide-open Tenderloin district. The author has done a herculean job of ferreting out the comings and goings of a menagerie of hookers and hoodlums, introducing us to folks with names like Gyp the Blood, Lefty Louie and Bald Jack Rose. He also provides some eye-opening evidence on the corruption that permeated the city, which served as the personal playground of Tammany Hall bosses, gambling czars like Arnold Rothstein and policemen who with impunity neatly carved up millions in bribes and graft money. Dash delivers their stories in a clear if rather wooden prose offset by anecdotes and nuggets of trivia. (For instance, the fact that assistant police commissioner Winfield Sheehan later went to Hollywood and discovered Rita Hayworth and John Wayne.) The author’s chief problem lies in the character of his protagonist, corrupt police lieutenant Charley Becker. Early on in his career, Becker had a well-publicized run-in with young writer Stephen Crane over his false arrest of a prostitute. At the time of his trial, he admitted to massive bribe-taking during his years on the police force. Generating sympathy for this dour, stone-faced brute would have been a tall order in any case, but Dash fails to provide more than a grainy out-of-focus portrait. Nor, for that matter, does he offer a verdict on whether Becker was actually guilty of the celebrated murder or not. Copious notes and research buttress the text, but photographs of at least some of the colorful heroes and villains who roam its pages would have livened things up considerably.
A worthwhile history lesson, less compelling as a personal crime drama.Pub Date: June 12, 2007
ISBN: 1-4000-5471-0
Page Count: 320
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2007
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by Rebecca Godfrey ‧ RELEASE DATE: Oct. 1, 2005
A tour-de-force of true crime reportage.
Godfrey reconstructs a horrific murder with a vividness found in the finest fiction, without ever sacrificing journalistic integrity.
The novel The Torn Skirt (2002) showed how well the author could capture the roiling inner life of a teenager. She brings that sensibility to bear in this account of the 1997 murder of a 14-year-old girl in British Columbia, a crime for which seven teenage girls and one boy were charged. While there’s no more over-tilled literary soil than that of the shocking murder in a small town, Godfrey manages to portray working-class View Royal in a fresh manner. The victim, Reena Virk, was a problematic kid. Rebelling against her Indian parents’ strict religiosity, she desperately mimicked the wannabe gangsta mannerisms of her female schoolmates, who repaid her idolization by ignoring her. The circumstances leading up to the murder seem completely trivial: a stolen address book, a crush on the wrong guy. But popular girls like Josephine and Kelly had created a vast, imaginary world (mostly stolen from mafia movies and hip-hop) in which they were wildly desired and feared. In this overheated milieu, reality was only a distant memory, and everything was allowed. The murder and cover-up are chilling. Godfrey parcels out details piecemeal in the words of the teens who took part or simply watched. None of them seemed to quite comprehend what was going on, why it happened or even—in a few cases—what the big deal was. The tone veers close to melodrama, but in this context it works, since the author is telling the story from the inside out, trying to approximate the relentlessly self-dramatizing world these kids inhabited. Given most readers’ preference for easily explained and neatly concluded crime narratives, Godfrey’s resolute refusal to impose false order on the chaos of a murder spawned by rumors and lies is commendable.
A tour-de-force of true crime reportage.Pub Date: Oct. 1, 2005
ISBN: 0-7432-1091-3
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 15, 2005
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by Tom Clavin ‧ RELEASE DATE: April 21, 2020
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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