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THE BOOK OF DRUGS

A MEMOIR

Former Soul Coughing singer Doughty’s memoir about sex, drugs, rock ’n’ roll and the spiritual benefits of world travel.

The author half-seriously calls his book “just another drug narrative,” and it's true. There’s nothing about Doughty’s longtime love for pot, coke, heroin and Ecstasy that hasn’t already been superseded by hundreds of other rock-star druggies who eventually replaced compulsive drug use with some form of equally compulsive religious behavior. What makes this story tolerable is not his voracious appetite for drugs and groupie sex but rather the mundane facts of his life as a mid-level rock star. Born the privileged son of a West Point–educated military historian, Doughty grew up knowing only a whitewashed suburban existence. He moved to New York City in the early 1990s to become an East Village creative type, putting together what seemed like just another acoustic act playing the NYC club circuit. But within a year of its inception, Soul Coughing got snapped up in the post-Nirvana major-label signing frenzy. The band consisted of Doughty on guitar and vocals and three jazzbo sidemen whose main function seemed to be busting Doughty’s chops for his lack of musical ability. After readers get to know his insufferable band mates, the author’s addiction becomes more understandable. Yet there’s also something desperately exhibitionist about Doughty’s willingness to recount in brutally frank detail even the most miserable experiences with drugs, groupies, itinerant girlfriends and prostitutes. More interesting than the sex and drugs, however, are the poisonous band dynamics that eventually destroyed Soul Coughing. Though Doughty’s inevitable turn to rehab spiritualism is neither interesting nor inspiring, the stories of his exotic world travel—trips to Cambodia and Ethiopia, for instance—offer a few memorable culture-clash moments. Another mostly enjoyable but unremarkable excess-leads-to-the-palace-of-wisdom drug memoir.  

 

Pub Date: Feb. 1, 2012

ISBN: 978-0-306-81877-6

Page Count: 256

Publisher: Da Capo

Review Posted Online: Nov. 12, 2011

Kirkus Reviews Issue: Dec. 1, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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