Well-written and intriguing.
Abandoning the rest of her family, a woman runs away with her daughter to join her brother on a man-made island/new nation and reflects on what brought her there.
“Welcome to nowhere,” begins narrator Roseanne Okerfeldt, nowhere being a salvaged Danish oil rig in the North Atlantic, bought at auction and conceived as an independent island nation called Mobility. At first numbering 38 residents, the population’s dwindled to 10. Rosie, 31, is there to support her wheelchair-using brother—34-year-old President Wallis Crim—but also because she’s a fugitive. Tracing the circumstances that brought her to Mobility, Rosie looks back on a life of unfocused impulse. She works retail, gets pregnant and married at 19, and soon has three more children. For child care, she depends on her mother-in-law, whom she both resents and takes for granted. She runs off (taking her oldest daughter) to her brilliant older brother in Canada, where she meets his mentor and plans to start a micronation. Heppner (This Can Be Easy or Hard: Stories and Essays, 2014, etc.) has an excellent ear for sly, revealing dialogue: Cathy, a Mobility resident, “smiled grimly and took a bite of her roll….‘I’ve had work produced. He Raped Me ran for three weeks in Portland.’ ” His characters are sharply individual and well-delineated. Rosie’s account of her life—a string of bad decisions that she doubles down on—is engrossing and well-told, though her victimhood stance doesn’t convince: “[I]t was never my intention to abandon my children. As far as I’m concerned, they abandoned me,” she sniffs. She implies they’re better off without her—the standard excuse of a runaway. Heppner’s skill creates distance, however: the narrative voice is articulately intelligent and observant, but Rosie is narcissistic and unimaginative. (She writes in her notebook, but it’s hard to see where her linguistic finesse comes from.) Also, her brother Wallis remains obscure as a character even though he’s the real reason for Rosie’s joining Mobility: “He’s why I came here, you know.”
Well-written and intriguing.Pub Date: May 26, 2015
ISBN: 978-1632260154
Page Count: 440
Publisher: Thought Catalog Books/Prospecta Press
Review Posted Online: March 2, 2015
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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