Charlie’s likable, and the baseball set pieces are beyond reproach, but Lupica’s signature one-liners (Bump and Run, 2000,...
Scouting report on sportswriter Lupica’s baseball novel: pretty good stuff, needs to work on control.
Once upon a time “Showtime” Charlie Stoddard had a golden arm, among the best ever to make it to “the Bigs.” But he abused it—sorely—and the rest of himself as well: booze and babes, Charley a committed hedonist from the time he could spell party. Actually, he abused just about everything in his life, including his relationship with his furiously resentful son and long-resigned wife. As the story opens, he’s 40, five years away from his last (dismal) appearance on a professional mound, spending his time signing autographs for money and chasing women from habit. Enter fate, in the form of a Chinese-American wonder-working physical therapist who offers him what so few of us ever get: a second chance. Charlie’s been messed up by knife-happy quacks, Mr. Chang tells him, but he’s salvageable if he’s willing to work. Charlie and Chang become a team, and almost at once redemption sets in: 90 m.p.h fastballs and an arm free of debilitating pain. In the meantime, the Boston Red Sox, battling a variety of famous jinxes (see any history of baseball) and the hated New York Yankees as well are in desperate need of pitching help, so desperate they’re willing to gamble on Charlie. Moving into the climactic stage of the pennant race, the Sox have a staff composed largely of cripples and one potential Hall-of-Famer. He’s Tom Mackenzie, born Tom Stoddard, who changed his name as a measure of intense filial disregard. So now when Showtime Charlie stares in for his signal, he swiftly learns it’s a whole new ballgame.
Charlie’s likable, and the baseball set pieces are beyond reproach, but Lupica’s signature one-liners (Bump and Run, 2000, etc.) are relentless, consistently cutting the heart out of key emotional scenes.Pub Date: Sept. 16, 2002
ISBN: 0-399-14927-9
Page Count: 368
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2002
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
