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Something Greater than Artifice

A hugely entertaining techno-magic adventure novel.

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In Speegle’s (Pen and Platen, 2011) novel set in a fantastic future world, technologically enhanced craftsmen face a deadly new threat.

As the story opens, a young man named Gregor loses his home, his best friend and very nearly his life in the hinterlands at the fringe of the Tech Republic. He and his friend Anatoly are skilled “Artificers” who use small, handheld computers to tap into a “Feed” of neutral matter, which they electronically resequence to create things to suit their needs. But their skills don’t protect them when they’re attacked by Frontmen—soulless, interchangeable minions of an all-devouring malevolence called SILOS. Gregor’s life is only saved thanks to the appearance of a woman named Ros, who hails from another dystopian enclave: the musicians’ haven called State of Play. Ros uses technology and her considerable fighting skills to rescue Gregor and take him on her quest to fight SILOS by enlisting the aid of yet another enclave, the Writers’ Bloc. There, the people prize the written word above all else, and a text called the Book may hold the key to victory. Along the way, Gregor and Ros squabble (at one point, he sarcastically calls her “Ros the Unnecessarily Taciturn”), but she gradually fills him in on the perilous state of the world outside the Tech Republic, her own past and training in the State, and the rise of the evil quagmire of SILOS. The author conveys most of this information in prolonged flashback segments, which he handles with a great deal of skill. The technology in Speegle’s world has morphed and sharpened into something akin to magic, and the Tech Republic, in particular, is impeccably imagined. He also makes the various sects’ worldviews believably distinct. Overall, his crafting of his characters is sensitive and, at times, winningly funny.

A hugely entertaining techno-magic adventure novel.

Pub Date: April 20, 2014

ISBN: 978-0-692-26050-0

Page Count: 478

Publisher: &yet

Review Posted Online: June 30, 2014

Kirkus Reviews Issue: Aug. 1, 2014

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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FIREFLY LANE

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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