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DOG ISLAND

Though Stewart doesn’t re-create anything like the range or freshness of his sharp debut, all is not lost: He’s got the...

Even though he’s handily avenged the murder of his brother, Mobile lawyer Tom McInnes (Sins of the Brother, 1999) just can’t stay out of trouble. A late-night call from his friend Susan Fitzsimmons takes him to Florida’s St. George Island, where Carli Monroe, a runaway teenager Susan’s taken in, has witnessed an execution in a nearby house. Next morning, when Tom takes Appalachicola deputy Mickey Burns out to the house to investigate, they find nothing but a pair of close-mouthed painters methodically putting the finishing touches on a redecorating job. Frustrated, Tom calls his shamus pal Joey the giant into the case to help identify the killer and the victim, but he’s already too late: The killer, former football great Leroy Purcell, is moving with all due speed against Carli and Susan, and he’s backed by an army of even badder dudes Tom and Joe trace to nearby Dog Island. As everybody from peaceful shrimpers to aspiring druglords to illegal-immigrant smugglers to abusive parents to Cuban freedom fighters muscles onto the overcrowded and underpoliced island, the chivalrous Travis McGee premise (“This is not why I went to law school,” muses Tom in a rare moment of reflection) explodes into nonstop action, though most of the action boils down to the good guys getting wounded and the bad guys getting killed in waves, like ducks in a shooting gallery.

Though Stewart doesn’t re-create anything like the range or freshness of his sharp debut, all is not lost: He’s got the makings of an obvious summer movie.

Pub Date: Jan. 1, 2001

ISBN: 0-399-14645-8

Page Count: 336

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2000

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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