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Cloud of Expectation

From the The In America Series series , Vol. 1

An accomplished, lyrical vision of a locality over several generations.

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Westphal, in his debut, reanimates the small Arkansas town of his youth in this new volume of poetry and prose.

In this rumination on a bygone place and time, the working-class German-American community of the poet’s childhood—and his father’s and his grandfather’s—is rendered through the naïve, hungry eyes of childhood: the baseball fields and factories, the parties and civic events, the majesty of Mass, and the warmth of community. It’s a perspective aware of the prevailing economic hardship and blue-collar angst as well as the minority communities that linger silently on the periphery. Adults in this world don’t often complain and certainly not in the presence of the younger generations; patience and grateful fatigue are the main characteristics. African-Americans in the community, for instance, “seemed to draw their breath / from a deep reservoir of ease, as a man might draw from a cigarette, / and to share in some silent low communion, / their voices like bassoons and flutes / in muted conversation.” And yet, at the edges, and with the hindsight of maturity, Westphal can see the places where these self-made myths began to fray. The collection is divided into sections composed of both poetry and prose flowing in and out of each other, rarely demarcated by titles, creating a sense of cohesion that pulls the reader through the work. Westphal’s voice drifts assuredly between the plainspoken and the lyrical in a buoyant, unpretentious style still able to achieve moments of brilliance. Occasionally he missteps—take, for example, a “prelapsarian Eden of innocence”—but for the most part he keeps his syllables short and guttural, finding the natural alliterations of common speech: “As the daylight ebbed, / the clouds left and right would light up inwardly / with electrical discharges, / signaling each other across the summer distances.” If the book drips a bit heavily with nostalgia, Westphal is hardly the first poet to fall into that trap. What is impressive is how he’s able to render a highly modest society in poetry that simultaneously elevates its struggles while staying true to its aesthetic sensibilities.

An accomplished, lyrical vision of a locality over several generations.

Pub Date: N/A

ISBN: 978-1-5141-3752-9

Page Count: 205

Publisher: CreateSpace

Review Posted Online: Nov. 4, 2015

Kirkus Reviews Issue: Dec. 1, 2015

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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