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A MODEST INDEPENDENCE

From the Parish Orphans of Devon series , Vol. 2

Strong, smart characters and a daring quest result in a Victorian love story with a charmingly modern sensibility.

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An independent woman struggles to reconcile love and freedom in this historical romance.

Book 2 of Matthews’ (A Holiday by Gaslight, 2018, etc.) Parish Orphans of Devon series picks up with Jenny Holloway and Thomas Finchley, two characters familiar to readers of the first installment. Jenny, a former lady’s companion, has been gifted an inheritance and seeks adventure. But her money is controlled by Tom, a talented lawyer who trades in secrets. When Jenny sets out for India in search of a cousin who is presumed dead, Tom is compelled to accompany her. The pair, posing as brother and sister for propriety’s sake, embark on a long journey to Delhi. Their time together in close quarters on ships and trains only strengthens their mutual attraction. But Jenny is loath to give up her newfound liberty for a man, even one as kind and unusual as Tom. Though he tries to convince Jenny that he would never infringe on her autonomy, the realities of being a woman in Victorian society weigh heavily against him. The couple’s journey across Egypt and India is full of colorful and descriptive prose. Jenny’s first taste of spicy curry and the international blend of humanity on the streets of Calcutta firmly situate readers in a striking past. As always, Matthews’ attention to historical accuracy is impeccable. From the rigid standards and expectations of Victorian courtship to the siege of Jhansi, she has clearly done her research. Her characters are a refreshing change from the typical genre protagonists; for example, there is “nothing particularly remarkable about Thomas Finchley,” the author writes. Yet his intellect and unabashed kindness are the stuff of true romance. As Jenny amusingly observes, a man who can navigate bureaucracy is far more useful than the white knights of penny novels. While Tom’s relationship with Jenny remains mostly chaste, Matthews manages to imbue their interactions with an enviable romantic tension.

Strong, smart characters and a daring quest result in a Victorian love story with a charmingly modern sensibility.

Pub Date: April 23, 2019

ISBN: 978-0-9990364-9-5

Page Count: 399

Publisher: Perfectly Proper Press

Review Posted Online: April 5, 2019

Kirkus Reviews Issue: May 15, 2019

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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