A ruminative exploration of the murkiness of collective memory.

GOOD NEIGHBORS, BAD TIMES

ECHOES OF MY FATHER’S GERMAN VILLAGE

The American-born daughter of a German Jew tells the story of her father’s tiny village, where charity mostly trumped hate during Hitler’s reign.

Schwartz (Thoughts from a Queen-Sized Bed, 2002, etc.) compiles material from personal interviews, local archives and Holocaust literature into an eloquent and affectionate account of Benheim (a fictional name). Jews and Catholics had lived as friends in this small southwestern farming community for centuries, until Nazis from a nearby town shattered the interracial and interreligious peace by destroying the local synagogue on Kristallnacht in 1938. A number of the town’s Jews had left the year before; some established a refugee community in Israel, others emigrated to America, as Schwartz’s father did. Many chose to stay and were aided by their Christian neighbors; nonetheless, almost a third of Benheim’s Jewish population eventually died in concentration camps. Schwartz’s main concern is to distinguish between historical truth and inherited nostalgia, to find out whether Benheim really was a uniquely peaceful hamlet of loyal neighbors who rejected the Nazis’s systematized stereotyping and brutality. Her final tally reveals a town in which personal decency was frequently upheld. The village’s most cherished story (recounted in several versions) is of a policeman who hid the synagogue’s Torah during Kristallnacht, then gave it to his Jewish neighbors to take to Israel. Wisely conceding that village life during the Holocaust wasn’t always so generous, Schwartz also includes stories of Christians turning their heads so as not to see the deportations and of the Nazi-appointed mayor erecting a swastika over the village. The town contained “contradictions that refuse a neat labeling,” the author acknowledges, to the chagrin of Holocaust scholars who favor more official records. As she got to know the surviving villagers, she writes, “their stories [made] my need for judgment recede.” Schwartz’s tone is gentle, her prose brilliantly clear and her insights keen, if not entirely new.

A ruminative exploration of the murkiness of collective memory.

Pub Date: March 20, 2008

ISBN: 978-0-8032-1374-6

Page Count: 280

Publisher: Univ. of Nebraska

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2008

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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