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GOOD NEIGHBORS, BAD TIMES

ECHOES OF MY FATHER’S GERMAN VILLAGE

A ruminative exploration of the murkiness of collective memory.

The American-born daughter of a German Jew tells the story of her father’s tiny village, where charity mostly trumped hate during Hitler’s reign.

Schwartz (Thoughts from a Queen-Sized Bed, 2002, etc.) compiles material from personal interviews, local archives and Holocaust literature into an eloquent and affectionate account of Benheim (a fictional name). Jews and Catholics had lived as friends in this small southwestern farming community for centuries, until Nazis from a nearby town shattered the interracial and interreligious peace by destroying the local synagogue on Kristallnacht in 1938. A number of the town’s Jews had left the year before; some established a refugee community in Israel, others emigrated to America, as Schwartz’s father did. Many chose to stay and were aided by their Christian neighbors; nonetheless, almost a third of Benheim’s Jewish population eventually died in concentration camps. Schwartz’s main concern is to distinguish between historical truth and inherited nostalgia, to find out whether Benheim really was a uniquely peaceful hamlet of loyal neighbors who rejected the Nazis’s systematized stereotyping and brutality. Her final tally reveals a town in which personal decency was frequently upheld. The village’s most cherished story (recounted in several versions) is of a policeman who hid the synagogue’s Torah during Kristallnacht, then gave it to his Jewish neighbors to take to Israel. Wisely conceding that village life during the Holocaust wasn’t always so generous, Schwartz also includes stories of Christians turning their heads so as not to see the deportations and of the Nazi-appointed mayor erecting a swastika over the village. The town contained “contradictions that refuse a neat labeling,” the author acknowledges, to the chagrin of Holocaust scholars who favor more official records. As she got to know the surviving villagers, she writes, “their stories [made] my need for judgment recede.” Schwartz’s tone is gentle, her prose brilliantly clear and her insights keen, if not entirely new.

A ruminative exploration of the murkiness of collective memory.

Pub Date: March 20, 2008

ISBN: 978-0-8032-1374-6

Page Count: 280

Publisher: Univ. of Nebraska

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2008

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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