by Mimi Schwartz ‧ RELEASE DATE: March 1, 2018
Expressive, intimate snapshots of one woman’s life set atop the backdrop of global history.
Historical events and personal family stories entwined in essays.
In these narratives of 25 moments in her life, essayist Schwartz (Emerita, Writing/Richard Stockton Coll.; Good Neighbors, Bad Times: Echoes of My Father’s German Village, 2008, etc.), the child of German-Jewish immigrants, begins with her father, who returned to the village in Germany that he fled after he realized that as Hitler continued to rise in power, Germany would quickly become a dangerous place for Jews. He managed to move most of his family out prior to the Holocaust, saving them from deportation to the concentration camps. Across other pieces, Schwartz ponders her childhood growing up in Queens, New York, her puppy, her mother’s handbag, and the wallpaper, bricks, and hidden rooms in her house, which dovetails with her consideration of the Underground Railroad and life as a slave. She writes about being a juror and deciding the fate of a prisoner and about two men, one Jewish, one Arab, who have been lifelong friends; she wonders why others can’t overcome these same “political chasms.” Some of the other tender, reflective pieces include a story about writing poems and stories with her granddaughter, living beyond the label of “cancer survivor,” and ruminating on her husband, her lifetime love. “It is through these private lives,” writes the author, “that we come to understand how the thunderstorm in one neighborhood can be a drizzle a few blocks away—and who sees a rainbow, who hears only the storm?....[This book] is my weather report from the mid-twentieth century until now. It’s not truth with a capital ‘T.’ ” Although the essays are highly personal, most readers will relate to the larger pictures of human rights, racism, the women’s movement, and a score of other topics.
Expressive, intimate snapshots of one woman’s life set atop the backdrop of global history.Pub Date: March 1, 2018
ISBN: 978-1-4962-0630-5
Page Count: 240
Publisher: Univ. of Nebraska
Review Posted Online: Jan. 9, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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