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REFUGE

Resonant memories captured with lyrical grace.

A chronicle of the author's global interactions.

As a creative writer, activist, educator, and humanitarian aid worker, Holden’s life is a prismatic tapestry of moods, relationships, travel, and culture. In a collected series of essays and anecdotal meditations, she chronicles the many paths her travels have taken her, including time spent as an art model, crossing the border from Turkey into a Syrian “war zone” camp, and in Northern California, where she lives with her cousin. The author’s observations of Syria are intricately drawn and compassionately depict the area’s war-torn people and their seemingly “bleak future.” Holden’s creation of Survival Girls, a women’s theater group for Congolese refugees in Nairobi, Kenya, forms the backdrop for several anecdotes about female empowerment and enlightenment through performance and improvisation. Her writing is consistently and impressively flexible, wrapping around subject matter from varying corners of the intellectual and emotional spectrum. Reflections on the complexities of political exile in Inner Mongolia run alongside accounts of several visits to Bolivia, where she receives a message from a male ex-lover who broke her heart but with whom she commingled after breaking up with a clingy girlfriend. The author also presents thoughts about the Ferguson unrest and memories of planting seedlings on an island off the coast of Maine, a place where “ghosts are loosened.” Holden’s inspired prose forms a kaleidoscope of emotion, oscillating from the elegiac to the gorgeous to the humorous and self-deprecating, as when she describes her naiveté when first approaching Syrian soil: “I have no poker face and all the diplomatic discretion of Honey-Boo-Boo.” Discussing the shock of being 12 days pregnant, she writes how she composed a poem “to the unborn child I wasn’t ready for, whose mother wouldn’t have a house, a viable income, or a spouse.” Overall, the collection is poetic and entrancing, and the author’s experiences are deep and affecting. Though her travels may not personally affect every reader, her sensorial imagery of them will be contemplated with artful appreciation.

Resonant memories captured with lyrical grace.

Pub Date: June 26, 2018

ISBN: 978-1-888553-95-6

Page Count: 252

Publisher: Kore Press

Review Posted Online: April 10, 2018

Kirkus Reviews Issue: May 1, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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