Despite some narrative missteps, Gwin’s latest effort will inspire further exploration of an underexamined American tragedy.
After a natural disaster, two families must confront the awful event that links them.
When a tornado struck the town of Tupelo, Mississippi, in April 1936, more than 200 people died. But the black residents who lost their lives during the disaster were not included in the official count of the dead. In her second novel, Gwin (The Queen of Palmyra, 2010) attempts to provide a corrective by focusing on a black family, the Grand’hommes, and a white family, the McNabbs. The story alternates between the perspectives of Dovey, the Grand’homme matriarch and a washerwoman, and Jo, the McNabbs’ teenage daughter, who encounter each other in a somewhat contrived moment after the tornado has passed through town. As each woman navigates the devastation of the city while looking for her family, Gwin explores how Tupelo’s black and white residents were treated differently in the aftermath while capably deploying flashback to reveal the history of each family and the violent moment that unites them. Though the story is generally well-paced, with foreshadowing placed nicely throughout, readers may become impatient once they’ve cracked the mystery that propels the plot. At times, Gwin’s prose is profound and Faulkner-ian in tone: “Time isn’t a river, Jo thought; time is ground and dirt and the roots of ancient trees and the bones of past things. Time is underfoot”; at others, it relies on cliché or the obvious (“melted like snow in the sun”) or misfires in its details, such as a remark about Dovey having walked through the McNabbs’ front door regularly or Jo’s immense regret for using a racial slur, while not providing sufficient evidence for readers to expect such departures from 1930s Southern social mores. Still, those who enjoy Southern fiction that explores both sides of the color line will want to give Gwin’s latest a gander, and the novel’s especially timely focus on what happens to communities in the aftermath of a natural disaster will draw many readers.
Despite some narrative missteps, Gwin’s latest effort will inspire further exploration of an underexamined American tragedy.Pub Date: Feb. 27, 2018
ISBN: 978-0-06-247171-0
Page Count: 384
Publisher: Morrow/HarperCollins
Review Posted Online: Nov. 27, 2017
Kirkus Reviews Issue: Dec. 15, 2017
BOOK REVIEW
BOOK REVIEW
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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