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A COMPLICATED KINDNESS

Toews captures the spurts and lurches of adolescent growth in a tale as crude and fresh as its subject matter.

An amusing if somewhat rambling account by Canadian author Toews (Swing Low: A Life, 2001) of a teenaged girl growing up in the middle of nowhere.

All adolescents think they live in the dorkiest place in the world, but 16-year-old Nomi Nickle maybe really does. Her hometown of East Village, Manitoba, you see, is populated almost entirely by Mennonites, an austere Christian sect. East Village has a movie theater but no bars, discos, pool halls, McDonald’s, or Starbucks—and even the theater specializes in films about Menno Simons (who founded the religion and named it after himself). So it’s not really an MTV kind of place. But that doesn’t keep Nomi or her sister Tash from throwing themselves into the usual adolescent cauldron of hormones, scorn, and rebellion. Tash eventually runs away from home with her boyfriend Ian, and Nomi dreams of moving to the real East Village (in New York) and hanging out with Lou Reed. Even Nomi’s mother, Trudie, whose brother Hans (“the mouth”) is the town’s equivalent of the Pope, gets fed up with life among the elect and runs off to parts unknown, leaving Nomi alone with her sweet-hearted but ineffectual and very depressed father, Ray. Nomi copes by ignoring her studies, partying with the other slackers, and hanging out with her boyfriend Travis (who plays guitar and likes to run naked through wheat fields). It’s all on the gloomy side, but, if Nomi is to be believed, that’s what Mennonite life is all about (“A Mennonite telephone survey might consist of questions like, would you prefer to live or die a cruel death, and if you answer ‘live’ the Menno doing the survey hangs up on you”). Still, like any normal teenager, Nomi can’t imagine anything right about her family. Perhaps she’s the one who has the changing to do.

Toews captures the spurts and lurches of adolescent growth in a tale as crude and fresh as its subject matter.

Pub Date: Oct. 5, 2004

ISBN: 1-58243-321-6

Page Count: 256

Publisher: Counterpoint

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2004

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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