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SHYLOCK’S DAUGHTER

In this turgid elaboration of Shakespeare’s Merchant of Venice, Pressler (Anne Frank: A Hidden Life, 2000, etc.) subordinates the story’s events both to a rich re-creation of the texture of life in the Venetian ghetto and to a series of overwrought reveries in which her unappealing cast members cast light on their various character flaws. Shylock is the Tragic Hero here, losing both loving wife and devoted housekeeper to consumption, his vain, shallow daughter Jessica to a gold-digging Christian husband, and, finally, his entire estate thanks to an irrational, revenge-driven insistence on collecting that pound of flesh from a Christian debtor. The author adds several new characters, notably Dalilah, a young orphan taken in to be Jessica’s companion/servant. After more than ten years of being the passive, dutiful one, Dalilah suddenly displays enough gumption at the end—after Shylock abandons her—skipping town rather than be forcibly baptized, to dress as a boy and set out for the Levant. This prompts translator Murdoch, in a long, analytical afterword, to argue that Dalilah’s the central character here; but it’s Pressler’s depiction of the spirit and practices of Venice’s Jewish community that emerges most vividly, and will stay with readers longest—at least those who can finish it. (Fiction. 12-15)

Pub Date: June 1, 2001

ISBN: 0-8037-2667-8

Page Count: 272

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2001

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THE BOY IN THE STRIPED PAJAMAS

Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point.

After Hitler appoints Bruno’s father commandant of Auschwitz, Bruno (nine) is unhappy with his new surroundings compared to the luxury of his home in Berlin.

The literal-minded Bruno, with amazingly little political and social awareness, never gains comprehension of the prisoners (all in “striped pajamas”) or the malignant nature of the death camp. He overcomes loneliness and isolation only when he discovers another boy, Shmuel, on the other side of the camp’s fence. For months, the two meet, becoming secret best friends even though they can never play together. Although Bruno’s family corrects him, he childishly calls the camp “Out-With” and the Fuhrer “Fury.” As a literary device, it could be said to be credibly rooted in Bruno’s consistent, guileless characterization, though it’s difficult to believe in reality. The tragic story’s point of view is unique: the corrosive effect of brutality on Nazi family life as seen through the eyes of a naïf. Some will believe that the fable form, in which the illogical may serve the objective of moral instruction, succeeds in Boyne’s narrative; others will believe it was the wrong choice.

Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point. (Fiction. 12-14)

Pub Date: Sept. 12, 2006

ISBN: 0-385-75106-0

Page Count: 224

Publisher: David Fickling/Random

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2006

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NEVER FALL DOWN

Though it lacks references or suggestions for further reading, Arn's agonizing story is compelling enough that many readers...

A harrowing tale of survival in the Killing Fields.

The childhood of Arn Chorn-Pond has been captured for young readers before, in Michelle Lord and Shino Arihara's picture book, A Song for Cambodia (2008). McCormick, known for issue-oriented realism, offers a fictionalized retelling of Chorn-Pond's youth for older readers. McCormick's version begins when the Khmer Rouge marches into 11-year-old Arn's Cambodian neighborhood and forces everyone into the country. Arn doesn't understand what the Khmer Rouge stands for; he only knows that over the next several years he and the other children shrink away on a handful of rice a day, while the corpses of adults pile ever higher in the mango grove. Arn does what he must to survive—and, wherever possible, to protect a small pocket of children and adults around him. Arn's chilling history pulls no punches, trusting its readers to cope with the reality of children forced to participate in murder, torture, sexual exploitation and genocide. This gut-wrenching tale is marred only by the author's choice to use broken English for both dialogue and description. Chorn-Pond, in real life, has spoken eloquently (and fluently) on the influence he's gained by learning English; this prose diminishes both his struggle and his story.

Though it lacks references or suggestions for further reading, Arn's agonizing story is compelling enough that many readers will seek out the history themselves. (preface, author's note) (Historical fiction. 12-15)

Pub Date: May 8, 2012

ISBN: 978-0-06-173093-1

Page Count: 224

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: March 20, 2012

Kirkus Reviews Issue: April 15, 2012

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