Deftly and hilariously delineates the American drama of race and class for one little girl.
A humorist and former model recalls growing up gifted and white in a poor, predominantly black neighborhood.
In the early 1970s, Wolff and her parents, all Caucasian, moved back to her father’s childhood neighborhood, Rainier Valley in south Seattle. The neighborhood had changed from white to black, and her father decided that the family should be black too. “He strutted around with a short perm, a Cosby-esque sweater, gold chains, and a Kangol,” writes the author, “telling jokes like Redd Fox and giving advice like Jesse Jackson.” Wolff’s mother soon tired of the project and divorced her father. At age seven or eight, Wolff says, she was terrible at acting black, and she became a source of constant irritation and disappointment to her father. She could not dance, sing or even jump rope, and she displayed weakness in a tough neighborhood. Just as she discovered she was good at something black—rapid-fire insults along the lines of “Your mama’s so fat…” or “You’re so ugly…”—her mother transferred her to a school for gifted children (all of them white and rich). So started Wolff’s perilous journey of self-identity. The blackness of her neighborhood only made her feel out of place at school, and the whiteness of her school only alienated her from her father and the black woman he married, to the point where she moved out to live with her mother. By age 12 she was a mess, suffering from insomnia, migraines and a deep anxiety that she would always be poor and never have “a lucrative anesthesia practice like all my friends.” Over time, Wolff found some balance. Even her father, in a lovingly told final episode, gave her what she most wanted—his acceptance.
Deftly and hilariously delineates the American drama of race and class for one little girl.Pub Date: May 26, 2009
ISBN: 978-0-312-37855-4
Page Count: 288
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2009
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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