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HOOF PRINTS ON MY HEART

A sweet ride on a lovely journey with an expert, horse-loving guide.

In her debut memoir, Tait-Zeller chronicles her lifelong love affair with horses.

As a small child, Tait-Zeller’s appetite for all things equestrian was fed by playing with horse toys of every shape and size, watching horse movies and visiting local fairs to tour the horse barns. Then an accident turned augury occurred on a visit to her relatives’ farm. While riding her cousin’s horse, Dusty, she slipped off and landed in front of the horse; the momentum caused the horse’s front hoof to step directly on Tait-Zeller’s forehead. “Dusty should have squashed my head like a melon...but she didn’t....I remember later that evening marveling in the mirror at the perfect hoof print impression on my forehead. I had no headache, and the hoof print was gone by the morning. It was my first recollection of a horse that took care of me in spite of the odds and I was branded for life.” Lucky for her and the equine world, the author got a horse for her 10th birthday, thus beginning a life spent caring for, handling, teaching and rescuing a multitude of horses and ponies. Tait-Zeller beautifully and simply portrays the unique qualities and personalities of each horse that trots in and out of her life as she buys, trades, loves and loses them. Her family shares her affection for horses, and the narrative involves their experiences as well. What the stories may lack in rich sensory descriptions, they make up for in dramatic tension, humor and heart. Some even prompt page-turning at a gallop. She describes the marvel of witnessing a mare giving birth, watching her small son and an exuberant foal chase each other in circles, and the agony of having to euthanize the family’s beloved horse. Some of the quirky tales include a barhopping horse one Halloween night, an unlucky landing on a prickly cactus while playing a game involving an imaginary cowboy, and the Royal Canadian Mounted Police chasing three of the author’s delinquent horses that roamed the streets of a small town in the middle of the night. Black-and-white photos accompany many of the stories, though the reader must sometimes guess identities since they aren’t properly attributed. Also, a glossary would have been helpful for those unschooled in equestrian language.

A sweet ride on a lovely journey with an expert, horse-loving guide.

Pub Date: May 8, 2012

ISBN: 978-1469189857

Page Count: 400

Publisher: Xlibris

Review Posted Online: Nov. 27, 2012

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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