Next book

EVERY ANXIOUS WAVE

A dark and funny love story that, like its main characters, is much sweeter than it appears on the surface.

A punk-rock time-travel love story for the ages—all of them.

When Karl Bender finds a time machine in his closet, he does what any other 40-year-old former musician would do: goes to every awesome concert he can think of. Naturally, he and his friend Wayne quickly set up a side business sending customers from his bar into the past, but only for rock concerts, judging those who choose Woodstock over his favorites, like Elvis Costello in New York, 1991, and Stereolab in Chicago, 1998. Concerts are it, and there are lots of rules; changing the past is not permitted. After Wayne goes rogue by trying to save John Lennon’s life and gets stuck in 1980 Manhattan, Karl hunts for an astrophysicist to get his friend back and finds Lena Geduldig, a Northwestern student who’s down on her luck and willing to help in part because she loved Karl’s old band. Lena and Karl start breaking all the rules of time travel, both for Wayne and for their blossoming relationship—and then Karl gets an email from his future self, breaking his life wide open. As the plot begins to time travel along with Karl, the story stays true to its core and is easy to follow, with new revelations on each journey. Daviau is ferocious with her sad and flawed characters, whose pain propels the story through several iterations. Because the tale keeps changing with every visit to the future, the book doesn’t end the way even its characters expect it to but is satisfying nonetheless.

A dark and funny love story that, like its main characters, is much sweeter than it appears on the surface.

Pub Date: Feb. 2, 2016

ISBN: 978-1-250-06749-4

Page Count: 288

Publisher: St. Martin's

Review Posted Online: Nov. 18, 2015

Kirkus Reviews Issue: Dec. 1, 2015

Categories:
Next book

SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:
Next book

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:
Close Quickview