by Mo Daviau ‧ RELEASE DATE: Feb. 2, 2016
A dark and funny love story that, like its main characters, is much sweeter than it appears on the surface.
A punk-rock time-travel love story for the ages—all of them.
When Karl Bender finds a time machine in his closet, he does what any other 40-year-old former musician would do: goes to every awesome concert he can think of. Naturally, he and his friend Wayne quickly set up a side business sending customers from his bar into the past, but only for rock concerts, judging those who choose Woodstock over his favorites, like Elvis Costello in New York, 1991, and Stereolab in Chicago, 1998. Concerts are it, and there are lots of rules; changing the past is not permitted. After Wayne goes rogue by trying to save John Lennon’s life and gets stuck in 1980 Manhattan, Karl hunts for an astrophysicist to get his friend back and finds Lena Geduldig, a Northwestern student who’s down on her luck and willing to help in part because she loved Karl’s old band. Lena and Karl start breaking all the rules of time travel, both for Wayne and for their blossoming relationship—and then Karl gets an email from his future self, breaking his life wide open. As the plot begins to time travel along with Karl, the story stays true to its core and is easy to follow, with new revelations on each journey. Daviau is ferocious with her sad and flawed characters, whose pain propels the story through several iterations. Because the tale keeps changing with every visit to the future, the book doesn’t end the way even its characters expect it to but is satisfying nonetheless.
A dark and funny love story that, like its main characters, is much sweeter than it appears on the surface.Pub Date: Feb. 2, 2016
ISBN: 978-1-250-06749-4
Page Count: 288
Publisher: St. Martin's
Review Posted Online: Nov. 18, 2015
Kirkus Reviews Issue: Dec. 1, 2015
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BOOK REVIEW
by Mo Daviau
by Kristin Hannah ‧ RELEASE DATE: July 1, 2002
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
BOOK REVIEW
by Harper Lee
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