by Mo Hayder ‧ RELEASE DATE: April 1, 2014
Another adventure for Caffery, a protagonist much like James Lee Burke’s Dave Robicheaux or Paul Cleave’s Theo Tate, doomed...
Hayder (Hanging Hill, 2012, etc.) once again lures DI Jack Caffery into evil’s morass.
Oliver Anchor-Ferrers owns Turrets, an English country estate in Somerset. Arriving with wife Matilda, daughter Lucia and their dog, Bear, Oliver intends to recuperate after heart-valve surgery. While clearing the garden, Matilda discovers a string of intestines "draped almost delicately in the bushes," a discovery mimicking the residue left after a gruesome killing 15 years past. Back then, Lucia’s teenage boyfriend and another girl were murdered and disemboweled. Hayder’s story is complex, with narrative threads leading from the old murder; from the present, as the Anchor-Ferrers are held captive and tortured; and from the muddied mind of Caffery, who stumbles into the murderous affair as he searches out his own demons. Rural Somerset comes alive, with the lush green growth, the rain, and the cranky, isolated Victorian estate beyond cellphone coverage. Fueled by whisky, e-cigarettes and indifference to authority, Caffery’s the archetypical angst-driven hero, obsessed by the pedophile ring that kidnapped his brother decades earlier. It's the Walking Man, an itinerant loner who obsessively circles the site of his own daughter’s murder, who finds the dog, Bear, with the message "Help Us" attached to his collar. That draws Caffery into the hostage situation. Sexual obsession, rejection as fuel for violence and revenge on the part of an arms dealer all add to a chilling, ominous atmosphere in which mangled characters lurk—Ian the Geek and Honig, the captors; the retired colonel who lives nearby with a wheelchair-bound wife and a nurse in his bed; and Oliver, fraught with fractured mortality after his heart operation and yet strong enough to puzzle out the source of the obscene bloodlust.
Another adventure for Caffery, a protagonist much like James Lee Burke’s Dave Robicheaux or Paul Cleave’s Theo Tate, doomed to work "in the presence of evil."Pub Date: April 1, 2014
ISBN: 978-0-8021-2250-6
Page Count: 400
Publisher: Atlantic Monthly
Review Posted Online: March 19, 2014
Kirkus Reviews Issue: April 1, 2014
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by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by Caitlin Mullen ‧ RELEASE DATE: March 3, 2020
A lyrical, incisive, and haunting debut.
In Atlantic City, the bodies of several women wait to be discovered and a young psychic begins having visions of terrible violence.
They are known only as Janes 1 through 6, the women who have been strangled and left in the marsh behind the seedy Sunset Motel. They wait for someone to miss them, to find them. That someone might be Clara, a teenage dropout who works the Atlantic City strip as a psychic and occasionally has visions. She can tell there's something dangerous at work, but she has other problems. To pay the rent, she begins selling her company, and then her body, to older men. One day she meets Lily, another young woman who'd escaped the depressing decay of Atlantic City for New York only to be betrayed by a man. She’s come back to AC because there’s nowhere else to go, and she spends her time working a dead-end job and drinking herself into oblivion. Together, Clara and Lily may be able to figure out the truth—but they will each lose something along the way. Mullen’s style is subtle, flowing; she switches the narrative voice with each chapter, giving us Clara and Lily but also each of the victims. At the heart of the novel lies the bitter observation that “Women get humiliated every day, in small stupid ways and in huge, disastrous ones.” Mullen writes about all the moments that women compromise themselves in the face of male desire and male power and how they learn to use sex as commerce because “men are always promised this, no matter who they are.” The other major character in the novel is Atlantic City itself: fading; falling to ruin; promising an old sort of glamour that no longer exists; swindling sad, lonely people out of their money. This backdrop is unexpected and well rendered.
A lyrical, incisive, and haunting debut.Pub Date: March 3, 2020
ISBN: 978-1-9821-2748-0
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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