by Mohamedou Ould Slahi edited by Larry Siems ‧ RELEASE DATE: Jan. 20, 2015
Slahi may or may not be a reliable narrator; readers are called on to suspend disbelief. By his account, of course, he is...
A harrowing prison memoir, the first to date by an inmate who is behind bars at the Cuban penitentiary that has become a byword for an American gulag.
Slahi was caught up early in the post-9/11 sweep, suspected of having played a role. As he admits, he did fight against the Soviets in Afghanistan, “but then al Qaida didn’t wage Jihad against America….In the mid-90’s they wanted to wage Jihad against America, but I personally had nothing to do with that.” After turning himself in for questioning in his native Mauritania, Slahi was “rendered” to Jordan and interrogated for eight months before the Jordanians decided he was innocent. A Marine prosecutor recalls that the CIA, managing Slahi’s fate, “just kind of threw him over to U.S. military control in Bagram, Afghanistan,” from which he was sent to Guantánamo in 2002. There he has remained, yet to be charged with a crime apart from that he “fucked up.” Setting aside the question of complicity, it is shockingly clear from Slahi’s account that torture was routine: “I heard so many testimonies from detainees who didn’t know each other that they couldn’t be lies,” he writes, and his own experiences bear this out. For all we know, torture still is routine: This account dates to before 2005, when his manuscript entered into the realm of formally classified military material, and it is heavily redacted, so much so that one representative page is a sea of black strike-throughs, the surviving text reading “was accompanied by an Arabic interpreter….He was very weak in the language.” Elsewhere, the prison memoir is much like other books of its kind: The guards are infantile brutes, the inmates a cross-section of humanity, and the rules and laws bewildering.
Slahi may or may not be a reliable narrator; readers are called on to suspend disbelief. By his account, of course, he is not guilty. His memoir is essential reading for anyone concerned with human rights and the rule of law.Pub Date: Jan. 20, 2015
ISBN: 978-0-316-32868-5
Page Count: 384
Publisher: Little, Brown
Review Posted Online: Jan. 20, 2015
Kirkus Reviews Issue: Feb. 1, 2015
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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BOOK REVIEW
by Elie Wiesel ; edited by Alan Rosen
BOOK REVIEW
by Elie Wiesel ; illustrated by Mark Podwal
BOOK REVIEW
by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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New York Times Bestseller
Pulitzer Prize Finalist
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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