A thoroughly engrossing story with a young protagonist offering insight instead of woe.
A debut drama follows a biracial girl and her family, who endure poverty and racism in mid-1980s Hawaii.
Nine-year-old Amanda Nakamura lives in a two-bedroom apartment in Mililani with her mom, Mehana, and two sisters, Wendy, 12, and Stephanie, 5. The girls rarely see their Japanese father, Gordon, whose idea of child support is a meager $60 a month. Determined to get herself and her daughters off welfare, Mehana goes to school full-time while holding a part-time job. Her parents and sisters offer little help, Mehana’s divorce having essentially made her the outcast of her Roman Catholic family. Food’s scarcely in the fridge, but Amanda and her siblings also must contend with “uncles,” their mom’s series of generally appalling boyfriends, like Dick Richards, who gets too touchy-feely with Amanda. Amanda’s left out as the middle child, sure that Stephanie is her mom’s favorite and Wendy her dad’s. Searching for an identity, she’s a Hawaiian raised within Mehana’s family but suffering the ignorance of racial slur-spewing peers who believe she’s Japanese or black. She’s even mocked by the daughters of Mehana’s boyfriend Chuck, calling her a haole (foreigner, often referring to white people) because she can’t speak their pidgin tongue. Mehana will graduate and hopefully secure a better job, and Amanda and her sisters can leave behind their lowly existence. The tale of a girl not fitting in anywhere isn’t as cheerless as it sounds, thanks to its protagonist. Amanda can take a punch, sometimes literally, without demanding sympathy. This comes across not just in her behavior—resigned to the fact she can’t have anything nice after Wendy destroys a Christmas gift—but in her narration as well, relaying events in a dry, matter-of-fact tone. Condescending Aunty Aloha, for example, serves as comic relief, telling Amanda and her siblings to “shake it out” to avoid getting cockroaches in her new minivan. Lee skillfully handles key issues, including insults based on race or social standing derived not only from hatred, but also unfamiliarity and misunderstanding. Adults, however, are occasionally exaggerated, implausibly so; a teacher, irate with Amanda’s complaints about repeatedly watching the Challenger explosion, shows her class a stomach-turning video involving baby seals.
A thoroughly engrossing story with a young protagonist offering insight instead of woe.Pub Date: June 17, 2013
ISBN: 978-0-615-83661-4
Page Count: 380
Publisher: Makalii Productions
Review Posted Online: Aug. 11, 2016
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
